Sure to elicit the storytime equivalent of “encore” at Christmastime and beyond.

READ REVIEW

NUTCRACKER NIGHT

A sprightly introduction to the classic Christmas ballet.

The backmatter notes that “[The Nutcracker] is often the first ballet children attend,” and Messier and Grimard’s collaboration does an exceptional job of distilling the ballet’s story into spare, accessible text and engaging art that could prepare children for attending the ballet, let them relive the experience, or simply give them the delight of the story in book form. The child pictured dancing on the front cover isn’t one of the ballerinas in the performance but a girl attending the ballet with her father. They both appear Asian in the illustrations, and many other audience members also appear to be people of color. Unfortunately, in an otherwise outstanding package, a preponderance of the depicted dancers appears to be white, which seems like a missed opportunity for inclusive representation. The spare text makes no mention of race, instead delivering the story through a series of combinations of expertly chosen onomatopoeia and dialogue guiding readers from the anticipation of the ballet through its first act, intermission, the second act, the curtain call, and the child narrator’s closing, appreciative “Smooch!” of thanks to her dad.

Sure to elicit the storytime equivalent of “encore” at Christmastime and beyond. (Picture book. 2-8)

Pub Date: Nov. 1, 2019

ISBN: 978-1-77278-091-8

Page Count: 40

Publisher: Pajama Press

Review Posted Online: July 28, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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Beloved Little Blue takes a bit of the mystery—and fear—out of Halloween costumes.

LITTLE BLUE TRUCK'S HALLOWEEN

A lift-the-flap book gives the littlest trick-or-treaters some practice identifying partygoers under their costumes.

Little Blue Truck and his buddy Toad are off to a party, and they invite readers (and a black cat) along for the ride: “ ‘Beep! Beep! Beep!’ / says Little Blue. / ‘It’s Halloween!’ / You come, too.” As they drive, they are surprised (and joined) by many of their friends in costume. “Who’s that in a tutu / striking a pose / up on the tiniest / tips of her toes? / Under the mask / who do you see?” Lifting the flap unmasks a friend: “ ‘Quack!’ says the duck. / ‘It’s me! It’s me!’ ” The sheep is disguised as a clown, the cow’s a queen, the pig’s a witch, the hen and her chick are pirates, and the horse is a dragon. Not to be left out, Little Blue has a costume, too. The flaps are large and sturdy, and enough of the animals’ characteristic features are visible under and around the costumes that little ones will be able to make successful guesses even on the first reading. Lovely curvy shapes and autumn colors fade to dusky blues as night falls, and children are sure to notice the traditional elements of a Halloween party: apple bobbing, lit jack-o’-lanterns, and punch and treats.

Beloved Little Blue takes a bit of the mystery—and fear—out of Halloween costumes. (Board book. 2-4)

Pub Date: July 5, 2016

ISBN: 978-0-544-77253-3

Page Count: 16

Publisher: HMH Books

Review Posted Online: July 20, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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Only for dedicated fans of the series.

HOW TO CATCH A MONSTER

From the How to Catch… series

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 15, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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