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PENNY AND THE PLAIN PIECE OF PAPER

Irresistibly touchable.

A character, bored of the piece of paper she exists on, ventures forth.

From pigtails (three, going straight upward) through football-shaped head and skinny limbs to high heels, Penny is entirely made up of rainbow-colored scribbly lines. No wonder she finds it so monotonous to loll about on an undecorated white sheet of paper. Her eyelids droop with ennui. However, Penny’s “plain piece of paper” is anything but. Slightly smaller than—and set askew from—the page of Leshem-Pelly’s actual book, Penny’s piece of paper has mild crinkles and the faint shading that those crinkles bring, creating an optical illusion that begs to be touched. It seems impossible for Leshem-Pelly’s page to feel perfectly smooth, but of course it does. Penny visits other types of paper: an amusingly dull and pompous newspaper, a map with trompe-l’oeil folds, a coloring book. All are hyper-realistic in their portrayal of the material, and each forces an oppressive aesthetic rule on Penny. The arc’s explicit message (“Let’s make our own rules!”) is forgettable, but Penny’s journey through varying visual styles is bright, fascinating, and funny, especially when she busts out of a geometric shape that graph paper bullies her into or when a pair of children (one black, one white) cheerfully offers gifts—and offers gifts, and offers gifts. Their textured and confettied realm is, of course, wrapping paper with a repeating design.

Irresistibly touchable. (Picture book. 4-8)

Pub Date: Aug. 25, 2020

ISBN: 978-1-984-81272-8

Page Count: 32

Publisher: Philomel

Review Posted Online: May 2, 2020

Kirkus Reviews Issue: May 15, 2020

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I WISH YOU MORE

Although the love comes shining through, the text often confuses in straining for patterned simplicity.

A collection of parental wishes for a child.

It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.

Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)

Pub Date: April 1, 2015

ISBN: 978-1-4521-2699-9

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

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NOAH CHASES THE WIND

An invitation to wonder, imagine and look at everything (humans included) in a new way.

A young boy sees things a little differently than others.

Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.

An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)

Pub Date: April 14, 2015

ISBN: 978-1-60554-356-7

Page Count: 32

Publisher: Redleaf Lane

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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