Irresistibly touchable.
A character, bored of the piece of paper she exists on, ventures forth.
From pigtails (three, going straight upward) through football-shaped head and skinny limbs to high heels, Penny is entirely made up of rainbow-colored scribbly lines. No wonder she finds it so monotonous to loll about on an undecorated white sheet of paper. Her eyelids droop with ennui. However, Penny’s “plain piece of paper” is anything but. Slightly smaller than—and set askew from—the page of Leshem-Pelly’s actual book, Penny’s piece of paper has mild crinkles and the faint shading that those crinkles bring, creating an optical illusion that begs to be touched. It seems impossible for Leshem-Pelly’s page to feel perfectly smooth, but of course it does. Penny visits other types of paper: an amusingly dull and pompous newspaper, a map with trompe-l’oeil folds, a coloring book. All are hyper-realistic in their portrayal of the material, and each forces an oppressive aesthetic rule on Penny. The arc’s explicit message (“Let’s make our own rules!”) is forgettable, but Penny’s journey through varying visual styles is bright, fascinating, and funny, especially when she busts out of a geometric shape that graph paper bullies her into or when a pair of children (one black, one white) cheerfully offers gifts—and offers gifts, and offers gifts. Their textured and confettied realm is, of course, wrapping paper with a repeating design.
Irresistibly touchable. (Picture book. 4-8)Pub Date: Aug. 25, 2020
ISBN: 978-1-984-81272-8
Page Count: 32
Publisher: Philomel
Review Posted Online: May 2, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
Though Felipe’s not the first prickly children’s-book character ever to want a hug, he certainly is a charmer.
All Felipe wants is a hug—trouble is, Felipe is a cactus.
Not only is he a cactus, his family members are terrible snobs who “[believe] one should never trespass into another’s personal space.” They are also a great variety of cactus types, but what they lack in botanical consistency they make up for in an unfriendly uniformity of expression. Felipe appears to be a baby barrel cactus, with one bright pink flower atop his head. He is a lot less interested in “reach[ing] a high position,” as his family tells him he will, than in just getting a hug. His family not being “the touchy feely type,” he just has to hope that somebody else will come along. One day he makes friends with a balloon, with disastrous results. (The headlines read “Cactus Attack: Balloon in Hospital” and “Shame on the Family.”) He uproots himself to find companionship (his bare stump looks amusingly like tighty whiteys, and he walks on impossibly tiny pipe-stem legs). He resigns himself to life as a hermit till one day he hears weeping: It is Camilla, a lonely rock, and at last Felipe gets his hug. Ciraola tells her story with wry understatement, allowing her expressive illustrations to carry the narrative. Her palette is greens and pinks against cream-colored negative space with a few sandy pebbles added to situate Felipe and his family in their desert habitat.
Though Felipe’s not the first prickly children’s-book character ever to want a hug, he certainly is a charmer. (Picture book. 4-8)Pub Date: Sept. 9, 2014
ISBN: 978-1-909263-49-9
Page Count: 32
Publisher: Flying Eye Books
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
A favorite Frost poem reveals how serendipitous choice affects a lifetime.
Robert Frost’s familiar 1915 poem presents enigmatic choices for an elementary-age boy.
A red-haired elementary-age boy trekking through golden woods with a beagle comes to a place where “two roads diverged.” Wishing he could “travel both,” the boy studies one road and then chooses the less-worn path, opting to keep the other road for “another day,” knowing he’s unlikely to “ever come back” and taking the road “less traveled by” could “make all the difference.” Richly hued illustrations in a palette of yellows and blues rely on simple rounded shapes, flat patterns, varying perspectives, and single- and double-page spreads to provide a possible context for Frost’s spare verse. Dwarfed by stylized trees resembling giant yellow toadstools, the boy begins his journey wearing a striped hoodie, blue backpack, jeans, and red boots. An impressive treetop view shows boy and beagle confronting the diverging path, emphasizing the magnitude of choice. The boy picks up fallen leaves, ponders two unknown roads, selects a leaf for his backpack, and proceeds along his chosen path. As he journeys, scenes from his ensuing life unfold, carrying him from childhood to becoming a young man with a family and eventually an elderly man, still musing about the choice he made in the woods that indeed changed everything. Inexplicably, his hair darkens from red to brown with a single page turn, which is likely to befuddle more than one reader.
A favorite Frost poem reveals how serendipitous choice affects a lifetime. (Picture book. 4-8)Pub Date: March 1, 2019
ISBN: 978-1-64170-107-5
Page Count: 32
Publisher: Familius
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
