Articulate, analytical social history of a defining era in 10th-century America. It’s been 30 years since Hillary Rodham Clinton stood before her Wellesley graduation class and extemporaneously berated the graduation speech previously given by Massachusetts Senator Edward Brooke, and the class of ’69 is still struggling to define womanhood today. Horn, who writes for U.S. News & World Report, methodically chronicles that internal and external debate as she weaves the personal stories of Hillary’s classmates with insights and facts from the outside world. The result is a fascinating, thorough portrait, not only of a collegial group but of a society battling to understand shifting gender and social roles. Surprisingly, for an institution that prided itself on its collective intellect, Wellesley was behind the times. Freshmen in this era still wore white gloves for special events, listened to marriage lectures as part of their curriculum, and lived in racially and religiously segregated dorms. Alumna Nora Ephron summed up the college’s stance at her tenth-year reunion in 1972: “[Wellesley wants] for us to avoid the extremes, to be instead that thing in the middle: an example to the community, a Samaritan.” Wellesley women, then, had to learn to break out of their own protected bubble before they could challenge the world at large. Although set in a larger social context, this is a very personal book. Many of the women are remarkably candid about their difficulties in trying to find their way through uncharted territory and the inevitable frustration that comes from being first. Although Hillary Clinton was obviously a prime impetus for the writing of this book, she is refreshingly absent for much of it. Instead, other women speak out, and if society is wise, it will listen hard to what they have to say. (8 pages b&w photos, not seen) (Author tour)
Pub Date: May 1, 1999
ISBN: 0-8129-2501-7
Page Count: 352
Publisher: Anchor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1999
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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