Perkins’ latest, inspired by the author’s own experience as the youngest of three sisters who arrived in the United States in the 1970s, is told in alternating voices across three generations.
This saga tells the intertwined stories of Ranee Das, the matriarch, who uproots her family from Ghana (and then the United Kingdom) to find fortune in the United States; Sonia and Tara, her daughters, who struggle with identity and acceptance; and Anna and Chantal, Ranee’s granddaughters, who fight injustices at home and in their communities. As in the author’s other books, this novel features inspiring South Asian girl and women protagonists grappling with love, faith, and culture, as well as the intersections among their personal, communal, and national histories. The chapters from Ranee’s point of view, highlighting her redemptive transformation from racist mother-in-law to doting grandmother to a half-black grandchild, and those told in Sonia’s and Tara’s voices, including their turns from awkward and aspiring immigrant teenagers to New York Times reporter and Bollywood star respectively, are lushly drawn and emotionally resonant. The final third of the book, however, from the points of view of Anna and Chantal, is less so; its plotlines—Anna’s quest to redecorate her elite private school’s locker rooms and Chantal’s wrecking of her rich, white boyfriend’s Porsche—seem contrived and hastily written. While “issues” permeate the book (war, migration, racism, colorism, body positivity, environmentalism), they are more deftly woven into the narrative in the earlier, historical chapters than the later, contemporary ones.
Although the book loses steam and heart toward the end, the earlier chapters, moving and rich in character and setting, make up for it. (Historical fiction/fiction. 12-18)