by Mitch Albom ‧ RELEASE DATE: Oct. 16, 2018
For those who prize fortune-cookie philosophy and sticky-sweet resolutions, this is just the ticket to ride.
Albom (The Magic Strings of Frankie Pesto, 2015, etc.) returns to the scene of previous literary crime: heaven, that is, and the realm of departed folks who are only too glad to dispense advice.
"This is a story about a woman named Annie, and it begins at the end, with Annie falling from the sky.” In this sequel to The Five People You Meet in Heaven (2003), gruff Eddie the maintenance man gets to have a little chat with the aforementioned Annie, for whom he gave up his life in a freak roller-coaster accident in the first book, sparing her from death. So what’s she doing up in the afterlife? Well, it seems Annie has fallen in love, married, and then honored the event by going up in a hot air balloon. What is it with her and divergent modes of transportation? And now, thanks to high-tension wires, Annie has bitten the big one—or maybe not—and is wandering around in the clouds reliving past mistakes and holding self-discovery sessions with, yes, five of her predecessors in the dirt nap. You’d think Eddie would be a little ticked that he lost a decade to a woman who seemed destined for the express checkout lane in any case, especially because, Albom writes, “She never thought about heaven.” He adds, helpfully, “But heaven is always thinking about us.” Yep, and yuck. There’s more than a little of The Little Prince here (“A vast brown desert surrounded her. / And she was alone”) and more than a little too much wisdom (“We don’t realize who else we punish while we’re punishing ourselves"). A question: Isn’t it a cheat when one of the dead quintet is a dog? And further: If you avoid death proper but have met your allotted five people in the great fluffy cloud beyond during your near-death experience, do you have to meet five other people when your time actually does come? Isn’t that fudging the numbers?
For those who prize fortune-cookie philosophy and sticky-sweet resolutions, this is just the ticket to ride.Pub Date: Oct. 16, 2018
ISBN: 978-0-06-229444-9
Page Count: 240
Publisher: Harper/HarperCollins
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland(1992) to An Officer and a Spy(2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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