TAKING CARE OF MAMA

When Mama takes sick, the doctor orders bedrest. “But there’s work to do,” she protests. “You rest, Mama, WE’LL take care of YOU!” This well-meaning raccoon dad and three kits proceed to make breakfast, lunch, dinner—and (predictably) a terrible mess. Mama calls down that she’s feeling much better, sending dad and kits into a frenzy of cleaning. If the story line is nothing new and the verse nothing brilliant, graphically, these raccoons are hot stuff. Pear-shaped, with tiny pipestem legs and feet, their beady eyes and pointy noses elevate them well above the common ruck of cute, anthropomorphized animal while still keeping them entirely child-friendly. The hollow-tree home that serves as the setting provides a bright, visually uncluttered background for the action. Nice work—this young illustrator is going places. (Picture book. 3-5)

Pub Date: March 1, 2010

ISBN: 978-0-399-25216-7

Page Count: 32

Publisher: Putnam

Review Posted Online: Dec. 31, 2010

Kirkus Reviews Issue: March 15, 2010

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Readers are likely to love it to the moon and back.

WILL YOU BE MY FRIEND?

Little Nutbrown Hare ventures out into the wide world and comes back with a new companion in this sequel to Guess How Much I Love You (1994).

Big Nutbrown Hare is too busy, so after asking permission, Little Nutbrown Hare scampers off over the rolling meadow to play by himself. After discovering that neither his shadow nor his reflection make satisfactory playmates (“You’re only another me!”), Little Nutbrown comes to Cloudy Mountain…and meets “Someone real!” It’s a white bunny who introduces herself as Tipps. But a wonderful round of digging and building and chasing about reaches an unexpected end with a game of hide-and-seek, because both hares hide! After waiting a long time to be found, Little Nutbrown Hare hops on home in disappointment, wondering whether he’ll ever see Tipps again. As it turns out, it doesn’t take long to find out, since she has followed him. “Now, where on earth did she come from?” wonders Big Nutbrown. “Her name is Tipps,” Little Nutbrown proudly replies, “and she’s my friend.” Jeram’s spacious, pale-toned, naturalistic outdoor scenes create a properly idyllic setting for this cozy development in a tender child-caregiver relationship—which hasn’t lost a bit of its appealing intimacy in the more than 25 years since its first appearance. As in the first, Big Nutbrown Hare is ungendered, facilitating pleasingly flexible readings.

Readers are likely to love it to the moon and back. (Picture book. 3-5)

Pub Date: Sept. 29, 2020

ISBN: 978-1-5362-1747-6

Page Count: 32

Publisher: Candlewick

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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