An often engaging supernatural thriller with an immortal protagonist with meritorious human traits.
In Weech’s debut supernatural thriller, an empathetic soul collector must stop one of his own from reaping dark souls and committing murder.
Bob Drifter is a typical Arizona substitute teacher—except for the fact that he’s a 338-year-old Journeyman. When a person is near death, Bob can transport his or her soul to the afterlife. He keeps a low profile, but it turns out that police Sgt. Richard Hertly is on the verge of connecting him to a few recent deaths, as witnesses in each case describe a stranger nearby. Richard and his partner, Detective Kyle LeShea, soon link Bob to a hospital death from his fingerprint, and Richard becomes determined to prove that Bob’s a murderer; he even follows Bob when he takes a new job in New York state. Meanwhile, Bob and his fellow Journeymen search for Grimm, a rogue collector who waits for souls to “sour” and become “Blacksouls.” Journeymen don’t have the ability to kill humans, but Grimm, with his Blacksoul-derived power, is dead set on finding a way. The novel is split into three parts that feel like separate short stories, though Bob and the antagonistic Grimm are always at their centers. The first is the most riveting, despite the fact that it has the least amount of action. It introduces Bob as a compassionate man who’s clearly only transporting souls out of necessity; other characters, and the narrative itself, describe the pain he feels when he watches people die. He also tutors a student named David, befriending the boy and his family for reasons that readers will likely surmise. Despite the book’s title, and its narrative device of recurring journal entries, the remaining two parts offer relatively little insight into Bob, instead concentrating on the Journeymen’s frequent, violent encounters with Grimm. That said, the novel does treat readers to laudable characters, such as Bob’s mentor and friend, Drisc. He’s a member of the Council, which tries to establish rules for Journeymen, and holds meetings in a bowling alley. Bob also has a chance at love with a photographer named Patience, and because she’s a mere mortal, the melodramatic possibilities abound. Bob eventually shows a few additional abilities, too; for example, he can “Manipulate” emotions or ease others’ pain. The ending leaves the door open for future sequels.
An often engaging supernatural thriller with an immortal protagonist with meritorious human traits.Pub Date: March 3, 2015
ISBN: 978-1480815940
Page Count: 472
Publisher: Archway Publishing
Review Posted Online: March 24, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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