by M.L.S. Weech ‧ RELEASE DATE: March 3, 2015
An often engaging supernatural thriller with an immortal protagonist with meritorious human traits.
In Weech’s debut supernatural thriller, an empathetic soul collector must stop one of his own from reaping dark souls and committing murder.
Bob Drifter is a typical Arizona substitute teacher—except for the fact that he’s a 338-year-old Journeyman. When a person is near death, Bob can transport his or her soul to the afterlife. He keeps a low profile, but it turns out that police Sgt. Richard Hertly is on the verge of connecting him to a few recent deaths, as witnesses in each case describe a stranger nearby. Richard and his partner, Detective Kyle LeShea, soon link Bob to a hospital death from his fingerprint, and Richard becomes determined to prove that Bob’s a murderer; he even follows Bob when he takes a new job in New York state. Meanwhile, Bob and his fellow Journeymen search for Grimm, a rogue collector who waits for souls to “sour” and become “Blacksouls.” Journeymen don’t have the ability to kill humans, but Grimm, with his Blacksoul-derived power, is dead set on finding a way. The novel is split into three parts that feel like separate short stories, though Bob and the antagonistic Grimm are always at their centers. The first is the most riveting, despite the fact that it has the least amount of action. It introduces Bob as a compassionate man who’s clearly only transporting souls out of necessity; other characters, and the narrative itself, describe the pain he feels when he watches people die. He also tutors a student named David, befriending the boy and his family for reasons that readers will likely surmise. Despite the book’s title, and its narrative device of recurring journal entries, the remaining two parts offer relatively little insight into Bob, instead concentrating on the Journeymen’s frequent, violent encounters with Grimm. That said, the novel does treat readers to laudable characters, such as Bob’s mentor and friend, Drisc. He’s a member of the Council, which tries to establish rules for Journeymen, and holds meetings in a bowling alley. Bob also has a chance at love with a photographer named Patience, and because she’s a mere mortal, the melodramatic possibilities abound. Bob eventually shows a few additional abilities, too; for example, he can “Manipulate” emotions or ease others’ pain. The ending leaves the door open for future sequels.
An often engaging supernatural thriller with an immortal protagonist with meritorious human traits.Pub Date: March 3, 2015
ISBN: 978-1480815940
Page Count: 472
Publisher: Archway Publishing
Review Posted Online: March 24, 2015
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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