A somewhat unwieldy novel that nonetheless delivers fast-paced, dramatic action and engaging, lively characters.
Sparks fly when a rock star teams up with a brilliant attorney in this sprawling tale of sex, drugs, rock ’n’ roll—and revenge.
It’s 1987, and British musician Colin Elliot has just re-emerged on the music scene, two years after a devastating car accident that killed Aurora, his heroin-addict wife, and left him close to death. Now, Colin’s determined to reignite his dormant career, but on his own terms. To that end, he enlists Laurel Chandler, a successful and beautiful attorney, as his official biographer, with the intent of publicly clearing the air regarding both the accident and his notorious late wife. Colin and Laurel’s relationship starts out icy, but before long they bond over similarities in their troubled pasts. The struggle to come to terms with a past that won’t stay buried is a recurrent theme in the book. It’s most clearly embodied by Hoop Jakeway, Aurora's unrequited high school suitor, who blames Colin for Aurora's untimely demise—he’s intent on avenging her death, no matter what it takes. The book opens with a gripping account of the fateful high-speed car chase across Michigan's remote Upper Peninsula, and then leaps forward two years to the sleazy drug dealers, scheming lawyers, put-upon managers and vulturelike paparazzi who inhabit Colin’s world. Mayle capably evokes the milieu of the ’80s-era rock star, though the book suffers from an overabundance of minor characters and some heavy-handed exposition. However, music fans will appreciate the references to classic pop songs sprinkled throughout the novel, while Hoop, with his misguided quest for vengeance, proves himself to be a complicated, fully realized character. But the novel falters in portraying the romance between Colin and Laurel, which never quite comes to life. Finally, a less-than-satisfying conclusion resolves one of the book’s main conflicts but leaves the other to be sorted in the next volume of the series.
A somewhat unwieldy novel that nonetheless delivers fast-paced, dramatic action and engaging, lively characters.Pub Date: Oct. 4, 2011
ISBN: 978-1463557331
Page Count: 504
Publisher: CreateSpace
Review Posted Online: Feb. 6, 2012
Kirkus Reviews Issue: March 1, 2012
Review Program: Kirkus Indie
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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