An earnest graduation gift: sweet for lifelong fans, cheerfully encouraging for striving, future graduates.
Success comes at last for the bright-eyed Pigeon.
A clever, tongue-in-cheek ersatz colophon reveals that this graduate has been awarded a “Master of Ornery-thology, Bachelor of Arts of Persuasion with a Minor in Major Freak-outs (summa cum loudly).” Fans will be glad that the Pigeon’s tireless, abundant optimism is finally being ceremoniously recognized. On the cover, the Pigeon wears a mortarboard at a jaunty angle, commenting, “I have the hat!” Of course, dressing the part is essential. But also, “I did the work. I paid attention to the little details. I took some BIG steps.” The Pigeon encountered obstacles (not shown, but many memorable ones will come to mind for the Pigeon's followers). And the Pigeon is plagued by worries familiar to many students who are about to graduate: “WHAT WILL HAPPEN THEN?!? What will I do? Who will I be?” The Pigeon appears in every frame, in close-ups and in poses variously thoughtful, confident, or slightly distressed. Our hero’s simple big eyes and wings are, as ever, remarkably expressive. “Oop!” In one scene, while walking off the dais, diploma in wing, the Pigeon comes to what seems like the edge of a chasm. At last, our hero takes flight with other graduates. Willems' popular characters Gerald and Piggie are there to look on admiringly.
An earnest graduation gift: sweet for lifelong fans, cheerfully encouraging for striving, future graduates. (Picture book. 3-7)Pub Date: March 4, 2025
ISBN: 9781454960430
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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