ALFIE THE APOSTROPHE

The lowly Apostrophe discovers that a little magic goes a long way in the Punctuation Talent Show. Little Alfie is sure that he doesn’t stand a chance, especially after watching the Question Marks rap out jokes?, and the Exclamation Points bound across the stage shouting cheers! But after making one letter disappear in “can’t,” transforming others in “won’t,” and best of all, uniting a toy and Dot, a volunteer from the audience, as “Dot’s doll,” he becomes “the Show’s shining star.” Donohue confines the contending punctuation to common uses only, but tucks in some wordplay (Hiram the shy Hyphen was “probably wishing he could dash away”) and Adinolfi’s brightly colored figures, though bearing smiling faces, actively posed limbs and the occasional item of dress, are still instantly recognizable. Donohue earns high marks for this lively debut—pair it with Robin Pulver’s Punctuation Takes a Vacation (2003, illustrated by Lynn Rowe Reed). (Picture book. 6-8)

Pub Date: April 1, 2006

ISBN: 0-8075-0255-3

Page Count: 32

Publisher: Whitman

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2006

RUSSELL THE SHEEP

Scotton makes a stylish debut with this tale of a sleepless sheep—depicted as a blocky, pop-eyed, very soft-looking woolly with a skinny striped nightcap of unusual length—trying everything, from stripping down to his spotted shorts to counting all six hundred million billion and ten stars, twice, in an effort to doze off. Not even counting sheep . . . well, actually, that does work, once he counts himself. Dawn finds him tucked beneath a rather-too-small quilt while the rest of his flock rises to bathe, brush and riffle through the Daily Bleat. Russell doesn’t have quite the big personality of Ian Falconer’s Olivia, but more sophisticated fans of the precocious piglet will find in this art the same sort of daffy urbanity. Quite a contrast to the usual run of ovine-driven snoozers, like Phyllis Root’s Ten Sleepy Sheep, illustrated by Susan Gaber (2004). (Picture book. 6-8)

Pub Date: April 1, 2005

ISBN: 0-06-059848-4

Page Count: 40

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

ROT, THE BRAVEST IN THE WORLD!

Cute and brave—gee, Rot’s spud-tacular!

A “scaredy-spud” puts on his brave face.

All “mutant potatoes” love mud. Mud is good for playing games, eating, and even sleeping. But few taters have more tender feelings toward muck than Rot. À la Pete the Cat, Rot celebrates mud in song: “Mud between my toes! / Mud in my nose! / Mud is GREAT / wherever it GOES!” When Rot’s big brother, Snot, tells Rot about the Squirm that lives “deep down in the mushy muck,” his love quickly turns to fear. But he doesn’t give up! Instead, Rot imagines himself in various disguises to work up courage. There’s “Super Spud” (a superhero), “Sir Super Rot, the Brave and Bold” (a superhero-knight), and even “Sir Super Rot the Pigtato” (a, um, superhero-knight-pig-potato). The disguises are one thing, but, deep down, is Rot really brave enough to face the Squirm? Readers wooed by Rot’s charm in Rot: The Cutest in the World (2017) will laugh out loud at this well-paced encore—and it’s not just because of the butt cracks. Clanton creates a winning dynamic, balancing Rot’s earnestness, witty dialogue, and an omniscient, slightly melodramatic narrator. The cartoon illustrations were created using watercolors, colored pencils, digital collage, and—brilliantly—potato stamps. Clanton’s reliance on earth tones makes for some clever, surprising page turns when the palette is broken.

Cute and brave—gee, Rot’s spud-tacular! (Picture book. 6-8)

Pub Date: June 16, 2020

ISBN: 978-1-4814-6764-3

Page Count: 40

Publisher: Atheneum

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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