This winsome, magical story is just what the doctor ordered.
A witch trapped in her hometown reunites with her high school sweetheart.
Caroline Wilton’s family suffers from a deadly curse: If any of them leaves the island of Starfall Point off the coast of Michigan, they are killed in a freak accident within 24 hours. This includes Caroline’s older brother, Chris, who fell off a bridge after leaving to meet a girl he met online. For years, the Wiltons have been swamped by grief, and Caroline has lived a kind of half life, working at her family’s worn-down restaurant and bar and having flings with tourists. Everything changed a year ago, when Caroline developed magical powers and realized she’s a witch. She and two other women, Riley and Alice, formed a small coven that helps ghosts trapped on Earth reach the afterlife. Caroline is shocked when her high school sweetheart, Ben Hoult, returns to Starfall Point, newly divorced and with his two teenagers in tow. Ben’s ex-wife only wanted the money and prestige of being a doctor’s wife, caring little for him or the children. He hopes that moving to his childhood home will create a safe place to heal. Ben is delighted to discover Caroline is still single, and the two fall back into an easy, sweet romance. Then his kids develop their own paranormal talents, and Ben is forced to admit that ghosts, magic, and curses are real. When an evil ghost threatens Caroline and the kids, the coven suspects the malevolent presence might also be responsible for the Wilton curse. Caroline wonders what the future will hold if she has the freedom to leave town. Harper is an expert storyteller, effortlessly weaving together the second-chance romance between Ben and Caroline with multiple subplots and a large, quirky cast of characters—some of which are ghosts. The plot moves along at a brisk, pleasing pace, and even the late-stage exposition dump feels charming.
This winsome, magical story is just what the doctor ordered.Pub Date: Aug. 13, 2024
ISBN: 9781728276823
Page Count: 336
Publisher: Sourcebooks Casablanca
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A romance that could have used significant rethinking.
Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.
Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.
A romance that could have used significant rethinking.Pub Date: March 3, 2026
ISBN: 9781668095188
Page Count: 320
Publisher: Atria
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
Rowell delivers the requisite happily-ever-after, but it doesn’t quite satisfy.
A second-chance romance from the author of Slow Dance (2024) and the Simon Snow Trilogy.
Cherry is fat. There are other things to know about Cherry, but this fact is essential to how she sees herself and—she knows—essential to how other people see her. And now that her husband’s hugely popular webcomic is a movie, she not only has to endure people confusing her with the character that’s based on her, but also the knowledge that the actor playing this character is wearing a fat suit. This pain is exacerbated by the fact that her marriage is over. It’s at this rock-bottom moment that her college crush reenters her life…This is a book about being fat, and Rowell does a great job of depicting what internalized fatphobia looks like. “Cherry was so used to thinking about being fat, she hardly even noticed that she was doing it. She was so used to thinking about being fat, she never thought about it.” Observations like this will resonate with a lot of readers, as will Cherry’s complicated feelings about weight-loss drugs. This is also a romance and, as a romance, it’s kind of all over the place. It’s totally realistic for Cherry to wonder if Russ—the guy from college—never pursued her because of her weight. This is a conflict that feels true. What’s less believable is the way he reacts when he sees a trailer for Cherry’s husband’s movie. It’s clear that he didn’t get that this movie was going to be a blockbuster. In short, Russ freaks out, and it’s not at all clear why. As for Cherry’s husband, the way she feels about him at the beginning of the book is totally disconnected from the way she feels about him in the novel’s latter half. It’s normal to have complicated feelings about the end of a marriage, of course, but there’s no emotional throughline to help the reader understand why Cherry’s feelings change so dramatically.
Rowell delivers the requisite happily-ever-after, but it doesn’t quite satisfy.Pub Date: April 14, 2026
ISBN: 9780063380264
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 20, 2025
Kirkus Reviews Issue: Feb. 1, 2026
SEEN & HEARD
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