A reformed assassin's tell-all of the horrors endured and executed throughout his years in the Mexican drug trade.
Editors Molloy (Research Librarian/New Mexico State Univ.) and Bowden (Murder City, 2010, etc.) introduce the reader to the mysterious El Sicario, a high-level killer speaking out for the first time. While the editors offer the necessary frontmatter and editorial work, the vast majority of the book is dedicated to the assassin's first-person account. El Sicario charts his path from poverty-stricken child to notorious killer, citing an incident in his early years in which an unsuccessful attempt to defend his older brother's honor ended in his own beating. “This caused a lot of bitterness inside of me,” he says. “And I was traumatized that I was not able to defend myself.” The experience emboldened the young boy, prompting him to dedicate his adolescence to becoming a drug mule, fully aware of the power and wealth that accompanied the risk. “To be sixteen years old and to be able to live like this!” he says. “To have money and to be able to invite any girl I wanted to go out to eat in nice restaurants with me.” His adulthood was spent as a corrupt Mexican police officer, offering him clear access into the corruption within the force. He exposes the systematic organization of the drug traffickers themselves, how groups are trained for a singular murderous purpose—all part of an elaborate system to “obscure the knowledge of where all of these bodies are buried.” While somewhat unique, El Sicario's tale is also quite familiar—one in which the power of money, drugs and women all play a role in achieving the necessary numbness required to carry out unspeakable crimes.
Pub Date: June 14, 2011
ISBN: 978-1-56858-668-7
Page Count: 224
Publisher: Nation Books
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
These subtle, reflective observations offer delightful insights into the lighthouse mystique.
A writer muses on what lighthouses mean to her.
Barrera, a Mexican journalist and editor and co-founder of the Mexico City–based publisher Ediciones Antilope, confesses early on that she’s a collector. “Collecting is a form of escapism,” she writes. After visiting Yaquina Head Lighthouse on the Oregon coast, she wanted “to articulate my feelings about that panorama—the moment and the lighthouse.” There was “something in the lighthouse itself that intrigued me.” Following that trip, she visited a few others and conducted research into their histories and the stories surrounding them: “It was like falling in love; I wanted to know the lighthouse to its very core.” Each story includes a wide array of topics in lighthouse culture, including literature, history, science, art, music, and the daily, brutal lives of the isolated keepers and their families. “From afar, a lighthouse is a ghost, or rather a myth, a symbol,” writes the author. “At close quarters, it is a beautiful building.” Barrera gives close attention to Robert Louis Stevenson’s family: his father, Thomas, instrumental in developing the revolutionary lens that replaced kerosene lamps, and his grandfather, Robert, the first to “construct a lighthouse on a marine rock, far from the coast.” The author is also intrigued that Edgar Allan Poe’s last, unfinished story was about a lighthouse keeper. Barrera chronicles her visit to the Ghoury Lighthouse, built in 1823 after a boat shipwrecked off the Normandy coast, and she comments on the many lighthouses in Edward Hopper’s paintings; he “said that the lighthouse is a solitary individual who stoically confronts the onrush of industrial society.” The author bemoans the fact that GPS and computers may one day make them obsolete. After reading Yukio Mishima’s The Decay of the Angel, about an orphaned boy who works in a signal station, Barrera stopped writing. “There are collections that will always be incomplete, and sometimes it’s better not to continue them.”
These subtle, reflective observations offer delightful insights into the lighthouse mystique.Pub Date: May 12, 2020
ISBN: 978-1-949641-01-1
Page Count: 174
Publisher: Two Lines Press
Review Posted Online: Jan. 15, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
The Hemingway name will carry this beyond what the usual casual interest in reminiscences of hunting in Africa would ordinarily achieve. It contains some of the best writing Ernest Hemingway has done — and is a delightful human document, natural, humorous, graphic in the swift characterizations and the original sidelights on his companions. Game hunting in Africa — with a double urge, to get, first and last, a Kudu — and to beat Karl. Sell both as travel and sport — as well as good Heminway. Appearing in Scribners Magazine.
Pub Date: Oct. 1, 1935
ISBN: 0684801299
Page Count: 308
Publisher: Scribner
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Oct. 1, 1935
BOOK REVIEW
BOOK REVIEW
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