A reformed assassin's tell-all of the horrors endured and executed throughout his years in the Mexican drug trade.
Editors Molloy (Research Librarian/New Mexico State Univ.) and Bowden (Murder City, 2010, etc.) introduce the reader to the mysterious El Sicario, a high-level killer speaking out for the first time. While the editors offer the necessary frontmatter and editorial work, the vast majority of the book is dedicated to the assassin's first-person account. El Sicario charts his path from poverty-stricken child to notorious killer, citing an incident in his early years in which an unsuccessful attempt to defend his older brother's honor ended in his own beating. “This caused a lot of bitterness inside of me,” he says. “And I was traumatized that I was not able to defend myself.” The experience emboldened the young boy, prompting him to dedicate his adolescence to becoming a drug mule, fully aware of the power and wealth that accompanied the risk. “To be sixteen years old and to be able to live like this!” he says. “To have money and to be able to invite any girl I wanted to go out to eat in nice restaurants with me.” His adulthood was spent as a corrupt Mexican police officer, offering him clear access into the corruption within the force. He exposes the systematic organization of the drug traffickers themselves, how groups are trained for a singular murderous purpose—all part of an elaborate system to “obscure the knowledge of where all of these bodies are buried.” While somewhat unique, El Sicario's tale is also quite familiar—one in which the power of money, drugs and women all play a role in achieving the necessary numbness required to carry out unspeakable crimes.
Pub Date: June 14, 2011
ISBN: 978-1-56858-668-7
Page Count: 224
Publisher: Nation Books
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
Highly recommended, even for those who have already read the excerpts in the New Yorker. Fey is one of the funniest people...
One of the world’s cleverest comedy writers debuts with a frequently hilarious memoir.
Perhaps best known to mass audiences for her writing and performances on Saturday Night Live, Fey’s most inventive work is likely her writing for the critically acclaimed TV show 30 Rock, in which she stars alongside Alec Baldwin and fellow SNL alum Tracy Morgan. In typical self-deprecating style, the author traces her awkward childhood and adolescence, rise within the improv ranks of Second City and career on the sets of SNL and 30 Rock. The chapter titles—e.g., “The Windy City, Full of Meat,” “Peeing in Jars with Boys” and “There’s a Drunk Midget in My House”—provide hints at the author’s tone, but Fey is such a fluid writer, with her impeccable sense of comic timing extending to the printed page, that near-constant jokes and frequent sidebars won’t keep readers from breezing through the book with little trouble, laughing most of the way. Though she rarely breaks the onslaught of jokes (most at her own expense), she does offer an insightful section on the exhaustively analyzed concept of the “working mom,” which she finds tedious. (Even here, the author finds plenty of room for humor—not wanting to admit she uses a nanny, Fey writes, “I will henceforth refer to our nanny as our Coordinator of Toddlery.”) Fey may not sling a lot of dirt about her many famous co-stars in Second City, SNL and 30 Rock, but her thoughts on her geeky adolescence, the joys of motherhood and her rise to TV stardom are spot-on and nearly always elicit a hearty laugh. Even the jacket copy is amusing: “Once in a generation a woman comes along who changes everything. Tina Fey is not that woman, but she met that woman once and acted weird around her.”
Highly recommended, even for those who have already read the excerpts in the New Yorker. Fey is one of the funniest people working today.Pub Date: April 5, 2011
ISBN: 978-0-316-05686-1
Page Count: 288
Publisher: Reagan Arthur/Little, Brown
Review Posted Online: July 23, 2011
Demonstrates how very thin is the gilt on the Golden State.
With humor, history, nostalgia, and acerbity, Didion (Political Fictions, 2001, etc.) considers the conundrums of California, her beloved home state.
Pieces of this remarkable memoir have appeared in the writer’s usual venues (e.g., the New York Review of Books), but she has crafted the connections among them so artfully that the work acquires a surprising cumulative power. Didion tells a number of stories that would not in lesser hands appear to be related: the arrival in California of her pioneer ancestors, the nasty 1993 episode involving randy adolescents who called themselves the “Spur Posse,” the fall of the aerospace industry in the 1990s, her 1948 eighth-grade graduation speech (“Our California Heritage”), the history of the state, and the death of her parents. Along the way she deals with some California novels from earlier days, Jack London’s The Valley of the Moon and Frank Norris’s The Octopus, and explores the community histories of Hollister, Irvine, and Lakewood (home of the Posse). She sees fundamental contradictions in the California dream. For one, older generations resented the arrival of the “newcomers,” who in their minds were spoiling the view. But as Didion points out, the old-timers had once done the same. More profound is her recognition that Californians, many of whom embrace the ideal of rugged individualism and reject “government interference,” nonetheless have accepted from the feds sums of money vast enough to mesmerize Midas. Water-management programs have been especially costly, but tax breaks for all sorts of other industries and enterprises have greatly enriched some in the state (railroad magnates, housing developers, defense contractors) while most everyone else battles for scraps beneath the table. Most affecting are her horrifying portrait of Lakewood as a community devoted to high-school sports at the expense of scholarship and her wrenching accounts of the deaths of her father and mother.
Demonstrates how very thin is the gilt on the Golden State.Pub Date: Sept. 29, 2003
ISBN: 0-679-43332-5
Page Count: 240
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2003
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