Second-novelist Moynahan (Parting Is All We Know of Heaven, 1989) has a wonderful ear for how kids talk and think, but her...
A teenaged girl comes to terms with her grief over the random murder of the boy she loves.
Millstone Academy senior Matt is the local golden boy: not only smart and talented but also wise and sensitive beyond his years. He goes to Mexico over spring vacation planning to break up with his troubled, drug-abusing quasi-girlfriend so that he and Alice, his soulmate since kindergarten, can finally commit to their true love. Instead, he disappears, and the authorities later find his bones in a mass grave. Back in New Jersey, Alice is distraught. So is everyone else at Millstone who knew Matt. The boy’s mother is a reformed alcoholic who had a brief romance with Alice’s otherwise caring father after her husband left her for a pregnant student; Matt knew about the affair but protected Alice from it. He confided other things he couldn’t tell Alice to Ms. Hardwood, a teacher now in a committed gay relationship who was engaged to Alice’s uncle before he died in Vietnam. Alice’s classmates at Millstone include fatherless Morgan, a geek with a future who’s in love with her, and motherless Sigrid, who witnessed the murder of a beloved babysitter years ago. When Alice chooses as her senior project to teach writing to inmates at Rahway Prison she ends up instructing the very man who killed Sigrid’s babysitter. Despite a multitude of subplots and meanderings, the heart of the story lies in its juxtaposition of Sigrid’s and Alice’s reactions to the two murders and how they resolve issues of evil, responsibility, forgiveness, and revenge.
Second-novelist Moynahan (Parting Is All We Know of Heaven, 1989) has a wonderful ear for how kids talk and think, but her tearjerker with a veiled spiritual message suffers from a surfeit of sensitive and caring characters sharing their earnest, profound thoughts.Pub Date: Sept. 1, 2003
ISBN: 0-06-054426-0
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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