An enticing genre mashup. Horror, SF, and fantasy readers alike will find something to love and someone to root for.

CREATURES OF CHARM AND HUNGER

Near the end of World War II, two friends and aspiring diabolists (“We’re not witches, Jane”) get in each other’s way as they pursue forbidden magic for different ends—one to stop the Nazis, even if it costs her life, and the other to save herself, even if it puts the world at risk.

Perfectionist Jane Blackwood and people-pleaser Miriam Cantor, the Blackwoods’ ward and a German Jew, are more sisters than friends. When Aunt Edith, an allied diabolist spy, arrives in their sleepy English village to administer The Test, their lives and their relationships are changed forever. Miriam passes and can take the next step to becoming a full-fledged diabolist, but she also learns the diabolist society suspects her parents, still in Germany, of joining the Nazis. Meanwhile, Jane must hide that she failed her Test or risk life as a society servant…or worse. Isolated by their fears and plagued by building resentments, each girl delves into forbidden magic as a last resort. Miriam works to clear her parents, which literally endangers her soul, and uncovers a Nazi diabolist’s plot that could win them the war. Jane, who can no longer make a pact with a more benevolent demon to gain full diabolist power, uses a dark and dangerous way to get it. When she unknowingly allows a sinister demon access to the world, and her mother’s soul, Miriam’s and Jane’s magical work collide. Suddenly the Nazis are the least of their worries. They must put aside their jealousies, hurt, and secrets to save the world and each other—but being a true diabolist always requires a sacrifice. This companion to Tanzer’s other two Creatures novels (Creatures of Want and Ruin, 2018, etc.) dives deeper into the diabolists’ world and their magical sciences. Familiarity with the previous books is unnecessary to enjoy this well-written, fun, and thoughtful tale of evil Nazi plots, body-snatching behind enemy lines, magical libraries, complicated parental relationships, deep-seated prejudices, and suspicious felines.

An enticing genre mashup. Horror, SF, and fantasy readers alike will find something to love and someone to root for.

Pub Date: April 21, 2020

ISBN: 978-0-358-06521-0

Page Count: 320

Publisher: Mariner/Houghton Mifflin Harcourt

Review Posted Online: Jan. 26, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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