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TITO PUENTE, MAMBO KING / TITO PUENTE, REY DEL MAMBO

A vibrant, reverent celebration of the godfather of salsa.

Brown and López, who previously teamed for the award-winning My Name Is Celia (2004), collaborate anew in this energetic bilingual tribute to the salsa drummer and band leader extraordinaire.

Brown’s narrative, simply phrased and peppered with exclamation points, takes her preschool and primary audience from Tito’s toddlerhood, banging “spoons and forks on pots and pans,” through childhood loves: drum lessons, dancing and stickball on the streets of Harlem. Bouncing through the musician’s adulthood, Brown highlights early gigs, a Navy stint (where he learned to play sax) and regular shows at the Palladium in New York City. Puente’s dream of heading his own band comes true in a single page turn (though López’s depiction of the now white-haired drummer does attest to time’s passage). A percussive refrain, fun to read and hear, pops up as part of the Spanish text but resonates in either language: “¡Tum Tica! / ¡Tac Tic! / ¡Tum Tic! / ¡Tom Tom!” López’s pictures, layered acrylics on prepared wooden boards, convey salsa’s rhythmic exuberance via a riotous palette that includes electric orange, chocolate brown, pale teal, and touches of pink and purple. Multihued swirls and plumes emanate from Tito’s timbales and drumsticks; Celia Cruz (a frequent collaborator) soars in a costume whose fuchsia feathers seem to morph from the sea green waves below.

A vibrant, reverent celebration of the godfather of salsa.   (biographical note; brief musical notation for rumba beat included in the text) (Bilingual picture book/biography. 4-8)

Pub Date: March 1, 2013

ISBN: 978-0-06-122783-7

Page Count: 32

Publisher: Rayo/HarperCollins

Review Posted Online: Jan. 15, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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¡VAMOS! LET'S GO TO THE MARKET

From the ¡Vamos! series

A culturally intricate slice of a lupine courier’s life.

Little Lobo and his dog, Bernabé, journey through a Mexican mercado delivering diverse goods to a variety of booths.

With the aid of red words splattered throughout the spreads as labels, Raúl the Third gives an introduction to Spanish vocabulary as Little Lobo, an anthropomorphic wolf, leaves his house, fills his cart with objects from his warehouse, and delivers them to the market’s vendors. The journey also serves as a crash course in Mexican culture, as the images are packed with intertextual details such as food, traditional games, and characters, including Cantinflas, Frida Khalo, and Juan Gabriel. Readers acquainted with Raúl the Third’s characters from his Lowriders series with author Cathy Camper will appreciate cameos from familiar characters. As he makes his rounds, Little Lobo also collects different artifacts that people offer in exchange for his deliveries of shoe polish, clothespins, wood, tissue paper, paintbrushes, and a pair of golden laces. Although Raúl the Third departs from the ball-pen illustrations that he is known for, his depiction of creatures and critters peppering the borderland where his stories are set remains in his trademark style. The softer hues in the illustrations (chosen by colorist Bay) keep the busy compositions friendly, and the halftone patterns filling the illustrations create foregrounds and backgrounds reminiscent of Roy Lichtenstein’s pointillism.

A culturally intricate slice of a lupine courier’s life. (glossary) (Picture book. 4-7)

Pub Date: April 2, 2019

ISBN: 978-1-328-55726-1

Page Count: 40

Publisher: Versify/HMH

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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HOW BIG COULD YOUR PUMPKIN GROW?

Playing with scale and prompting readers to think big ensures a quick and entertaining tour to awesome sights.

Minor focuses his attention on the symbolic gourd of fall, juxtaposing national landmarks or record-setting structures with visions of impossibly enormous pumpkins or jack-o’-lanterns.

The title poses a tantalizing question that leads gracefully from the real to the surreal. What follows in each full-bleed spread is a famous site—man-made or natural—painted with watercolor and gouache that majestically captures the impressiveness of the place. He includes in these illustrations an image of a wildly oversized pumpkin. It’s a quirky notion, and it kind of works. Few children would seek out a book on important places to see across the United States. A better bet is a title like this one, which imparts that information while also making them laugh at the sheer humor in the pictures. One image shows the highest roller coaster feeding into the open mouth of a fierce-looking jack-o’-lantern. Another pumpkin innocently stops traffic when it is placed in the middle of the Brooklyn Bridge. Yet another smiles up close as a rocket takes off from Cape Canaveral. From Connecticut to California, 14 places are featured. More information about them is provided at the end of the book.

Playing with scale and prompting readers to think big ensures a quick and entertaining tour to awesome sights. (Picture book. 4-8)

Pub Date: Aug. 15, 2013

ISBN: 978-0-399-24684-5

Page Count: 32

Publisher: Nancy Paulsen Books

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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