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NIGHT ON THE SAND

Powerfully compelling.

When a nature-based calamity befalls a pair of young brothers, the boys find refuge and community among sandy shores.

Images of happier times adorn the title and copyright pages: a birthday party, a snuggle on a couch. Turn the page, and a catastrophe emerges with “a howl, / a dark whirl of wind and power.” Snapshots of destruction—homes destroyed, a fallen roof—follow. Bruised purples and deep reds bleed across the artwork, a solemn, breathtaking portrait of ruin. It’s now night, and the brothers can’t find their parents. Covering their shoulders with a blanket, the children walk “one foot in front of the other,” away from the destruction behind them. They arrive at a beach, where they lie down; others slumber near them, “strewn on the shore like shells, / like rocks, like driftwood.” Morning comes, bringing with it soothing light. Hunger pulls the brothers out of their thoughts and toward a fire, where others gather. With the calm waves at their feet, the survivors huddle near the fire, waiting until help breaks through the horizon. This painful yet hopeful tale renders its difficult subject matter palpable. Mayper’s decision to omit specific context from this tale—in, as she describes in an author’s note, a move toward “our human connection"—proves sensible thanks to evocative text that allows readers to fill in the details. Similarly, the artwork delineates moods and emotions via a precise, rich palette that favors visceral landscapes and nondescript characters to its advantage. Characters are dark-haired and light-skinned. (This book was reviewed digitally.)

Powerfully compelling. (Picture book. 4-8)

Pub Date: Aug. 16, 2022

ISBN: 978-1-328-88418-3

Page Count: 32

Publisher: Clarion/HarperCollins

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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THE HUMBLE PIE

From the Food Group series

A flavorful call to action sure to spur young introverts.

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In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.

Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.

A flavorful call to action sure to spur young introverts. (Picture book. 4-8)

Pub Date: Nov. 4, 2025

ISBN: 9780063469730

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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