A transcendent journey for families seeking affirming representations of those who march to their own beats.
In this allegory celebrating individuality, Elbert finds true acceptance, aided by his loving mother.
After birth, Elbert begins to float, literally rising as he grows. His mother clambers ever higher to provide unconditional support: “If Elbert was born to float, I will let him.” Cavorting in the air, first among his toys and then above his yard, Elbert discovers despondency at 6: “Even on my birthday…no one else is up here.” At school, he deftly catches “the highest balls” and finds creative ways to play tag with his classmates at recess. Ma continues to reassure as Elbert’s increasing altitude literally puts classmates out of reach. “Just be yourself…and you’ll find friends.” She encourages him to make wishes—on birthday candles, on a shooting star—which symbolize the family’s commitment to Elbert’s existential quest. Wesolowska employs the Euro-folkloric motif of threes: At three stages in Elbert’s coming-of-age odyssey, a trio of naysayers offer feckless, often chilling advice designed to hobble him. But “Elbert was Elbert. No hook, no anchor, no law could bring him down!” Finally, Elbert finds “the world he’d always wished for!” Textured, gracefully composed digital art depicts Ma and Elbert enjoying a sky-high picnic among a group of the boy’s happily engaged peers; images that evoke Elbert’s toy blocks surround them. Both Elbert and his mother have brown skin and black textured hair, among diverse communities aloft and below. (This book was reviewed digitally.)
A transcendent journey for families seeking affirming representations of those who march to their own beats. (Picture book. 4-8)Pub Date: Feb. 21, 2023
ISBN: 978-0-593-32520-9
Page Count: 40
Publisher: Dial Books
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
A flavorful call to action sure to spur young introverts.
In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.
Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.
A flavorful call to action sure to spur young introverts. (Picture book. 4-8)Pub Date: Nov. 4, 2025
ISBN: 9780063469730
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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