A transcendent journey for families seeking affirming representations of those who march to their own beats.
In this allegory celebrating individuality, Elbert finds true acceptance, aided by his loving mother.
After birth, Elbert begins to float, literally rising as he grows. His mother clambers ever higher to provide unconditional support: “If Elbert was born to float, I will let him.” Cavorting in the air, first among his toys and then above his yard, Elbert discovers despondency at 6: “Even on my birthday…no one else is up here.” At school, he deftly catches “the highest balls” and finds creative ways to play tag with his classmates at recess. Ma continues to reassure as Elbert’s increasing altitude literally puts classmates out of reach. “Just be yourself…and you’ll find friends.” She encourages him to make wishes—on birthday candles, on a shooting star—which symbolize the family’s commitment to Elbert’s existential quest. Wesolowska employs the Euro-folkloric motif of threes: At three stages in Elbert’s coming-of-age odyssey, a trio of naysayers offer feckless, often chilling advice designed to hobble him. But “Elbert was Elbert. No hook, no anchor, no law could bring him down!” Finally, Elbert finds “the world he’d always wished for!” Textured, gracefully composed digital art depicts Ma and Elbert enjoying a sky-high picnic among a group of the boy’s happily engaged peers; images that evoke Elbert’s toy blocks surround them. Both Elbert and his mother have brown skin and black textured hair, among diverse communities aloft and below. (This book was reviewed digitally.)
A transcendent journey for families seeking affirming representations of those who march to their own beats. (Picture book. 4-8)Pub Date: Feb. 21, 2023
ISBN: 978-0-593-32520-9
Page Count: 40
Publisher: Dial Books
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
