Whimsical and beguiling.
This love affair starts with a meet-cute at a museum, then slips the tiresome restraints of reality altogether.
“She was Elizabeth Bennet in a janitorial uniform and I, Fitzwilliam Darcy in oil on canvas”: This seemingly outlandish assertion summarizes the premise of Pager’s debut. We are being addressed by Jean Matisse, who lives with two of his siblings and his mom in a painting by his father, Henri. The “Elizabeth Bennet” in question is Claire, a new night-shift cleaning person at a private museum seemingly modeled on the Barnes Foundation in Philadelphia, where hundreds of paintings are hung edge to edge in a giant mansion. Ever since she was a little girl, Claire's had the feeling that there’s a way to cross over into the world of a painted image, and she’s about to find out she’s right. Later, after the pair has fallen in love: “We played cards with Cézanne’s farmhands, shot the breeze with Seurat’s models, and swam in the Mediterranean Sea.” As the subjects of the paintings skip from one canvas to the next to get some variety in their frozen lives, one of the most popular hangouts is “Le bonheur de vivre,” a Matisse which depicts a clothing-optional seaside bacchanal. This escapist adventure and beautiful love affair is deeply satisfying, almost therapeutic, for young Claire, who has a lot of responsibilities and complications in the real world. At one point, she starts to realize she could be missing important calls while she’s over there in La La Land. “Of course there’s no cell reception in—what year is it in this painting?” “1905 or 1906, I think.” In addition to the details of Claire’s backstory, Pager throws two big real-world developments into the mix—Covid-19 and a museum heist. But the real joy of this book is the world she has invented on the other side of the canvas, a kind of Phantom Tollbooth for grown-ups.
Whimsical and beguiling.Pub Date: July 1, 2025
ISBN: 9780593875384
Page Count: 304
Publisher: Ballantine
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
PERSPECTIVES
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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