A passionate, poetic coming-of-age story set in a mine field, brilliantly capturing the intensity of feeling on both sides...
A very young Israeli soldier whose best friends are Palestinian twins is driven to the breaking point by conflicting loyalties.
Rothman-Zecher’s debut begins in the “fluorescent glow of a jail cell” just days after its narrator’s 19th birthday. In an epistolary narrative addressed to his friend Laith, Jonathan pours out his heart and sorts through his past. Two years earlier, before his senior year of high school, Jonathan’s family returned to Israel after a long stint in Pennsylvania. The family’s history—his grandfather left the Greek city of Salonica before the Nazis deported all its Jews to concentration camps; other family members did not—has given Jonathan a profound sense of the importance of the Jewish state. Thus he was eagerly awaiting the beginning of his military service when he met Laith and his sister, Nimreen, tall, brilliant, cool Palestinian twins, students at Haifa University, both with eyes “the color of a sidewalk after a misty summer rain.” Charmed and amused by the boy and his really pretty decent command of Arabic, they take him under their wings, and all more or less fall in love with each other. Over a long series of adventures, bus trips, nights on the beach, marijuana-fueled conversations, and poetry readings, Jonathan begins to see the occupation through the eyes of his friends and grasps that their family history is no less tragic than his own. Then his draft date arrives, and before long his unit is sent as a police presence to a demonstration in the Territories. “Today, you’re going to put down a riot,” their commander says. What happens that day is the reason Jonathan is in jail, the reason for this cri de coeur to his beloved friend Laith.
A passionate, poetic coming-of-age story set in a mine field, brilliantly capturing the intensity of feeling on both sides of the conflict.Pub Date: Feb. 13, 2018
ISBN: 978-1-5011-7626-5
Page Count: 288
Publisher: Atria
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
BOOK REVIEW
PROFILES
Melodramatic for sure, but the author manages to avoid stereotypes while maintaining a brisk pace.
Irish orphan finds a new family among slaves in Grissom’s pulse-quickening debut.
Lavinia is only six in 1791, when her parents die aboard ship and the captain, James Pyke, brings her to work as an indentured servant at Tall Oaks, his Virginia plantation. Pyke’s illegitimate daughter Belle, chief cook (and alternate narrator with Lavinia), takes reluctant charge of the little white girl. Belle and the other house slaves, including Mama Mae and Papa George, their son Ben, grizzled Uncle Jacob and youngsters Beattie and Fanny, soon embrace Lavinia as their own. Otherwise, life at Tall Oaks is grim. Pyke’s wife Martha sinks deeper into laudanum addiction during the captain’s long absences. Brutal, drunken overseer Rankin starves and beats the field slaves. The Pykes’ 11-year-old son Marshall “accidentally” causes his young sister Sally’s death, and Ben is horribly mutilated by Rankin. When Martha, distraught over Sally, ignores her infant son Campbell, Lavinia bonds with the baby, as well as with Sukey, daughter of Campbell’s black wet nurse Dory. Captain Pyke’s trip to Philadelphia to find a husband for Belle proves disastrous; Dory and Campbell die of yellow fever, and Pyke contracts a chronic infection that will eventually kill him. Marshall is sent to boarding school, but returns from time to time to wreak havoc, which includes raping Belle, whom he doesn’t know is his half-sister. After the captain dies, through a convoluted convergence of events, Lavinia marries Marshall and at 17 becomes the mistress of Tall Oaks. At first her savior, Marshall is soon Lavinia’s jailer. Kindly neighboring farmer Will rescues several Tall Oaks slaves, among them Ben and Belle, who, unbeknownst to all, was emancipated by the captain years ago. As Rankin and Marshall outdo each other in infamy, the stage is set for a breathless but excruciatingly attenuated denouement.
Melodramatic for sure, but the author manages to avoid stereotypes while maintaining a brisk pace.Pub Date: Feb. 2, 2010
ISBN: 978-1-4391-5366-6
Page Count: 384
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2009
BOOK REVIEW
A magnificent achievement: a novel that is, by turns, both optimistic and fatalistic, idealistic without being naïve.
Powers’ (Orfeo, 2014, etc.) 12th novel is a masterpiece of operatic proportions, involving nine central characters and more than half a century of American life.
In this work, Powers takes on the subject of nature, or our relationship to nature, as filtered through the lens of environmental activism, although at its heart the book is after more existential concerns. As is the case with much of Powers’ fiction, it takes shape slowly—first in a pastiche of narratives establishing the characters (a psychologist, an undergraduate who died briefly but was revived, a paraplegic computer game designer, a homeless vet), and then in the kaleidoscopic ways these individuals come together and break apart. “We all travel the Milky Way together, trees and men,” Powers writes, quoting the naturalist John Muir. “In every walk with nature one receives far more than he seeks.” The idea is important because what Powers means to explore is a sense of how we become who we are, individually and collectively, and our responsibility to the planet and to ourselves. Nick, for instance, continues a project begun by his grandfather to take repeated photographs of a single chestnut tree, “one a month for seventy-six years.” Pat, a visionary botanist, discovers how trees communicate with one another only to be discredited and then, a generation later, reaffirmed. What links the characters is survival—the survival of both trees and human beings. The bulk of the action unfolds during the timber wars of the late 1990s, as the characters coalesce on the Pacific coast to save old-growth sequoia from logging concerns. For Powers, however, political or environmental activism becomes a filter through which to consider the connectedness of all things—not only the human lives he portrays in often painfully intricate dimensions, but also the biosphere, both virtual and natural. “The world starts here,” Powers insists. “This is the merest beginning. Life can do anything. You have no idea.”
A magnificent achievement: a novel that is, by turns, both optimistic and fatalistic, idealistic without being naïve.Pub Date: April 3, 2018
ISBN: 978-0-393-63552-2
Page Count: 512
Publisher: Norton
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
SEEN & HEARD
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