Historic detail and mythic folklore forge a scary, thrilling vision of life along America's margins.
In which late-1970s Washington, D.C., is reimagined as an enchanted land populated by changelings, phantoms, seers, waking nightmares, and at least one haunted car.
Yejidé follows up her debut, Time of the Locust (2014), with a deeper, broader, and more audacious immersion in magical realism. It is set in 1977, and the District of Columbia is here labeled "the capital" and is surrounded by the Kingdoms of Maryland and Virginia, which are in turn parts of the “united territories” presided over by a succession of elected kings. In the city’s Anacostia section, “an isle of blood and desire…where all things lived and died on the edges of time and space and meaning,” Nephthys Kinwell operates a kind of supernatural jitney service, showing up, at times unbidden, in her rickety Plymouth Belvedere to take the community’s lonely, wayward, or forsaken wherever they want to go. Even through the car’s rattling, her passengers can hear the ghost of a White woman tapping or shifting around in the trunk. But apparently everybody living in this alternate universe is accustomed to dead people hanging around the neighborhood. Among the more restless of those spirits is Osiris, Nephthys’ twin brother, pursuing revenge on the White racists who murdered him and dumped his body in the Anacostia River. He's worried about his daughter, Amber, who's visited by dreams of the near future and regularly submits her obliquely worded prophecies to the local Black newspaper. Meanwhile, Amber’s young son, Dash, is also seeing things: a “make-believe man" by the river and, worse, a not-so-make-believe act of molestation he witnessed by accident in a school utility closet; he’s sure he’s spoken to the former while he’s still not certain he saw the latter. But the molester, whose name is Mercy, is certain he saw Dash see him. Before long, both mystic visions and real-life horrors converge into a sequence of disquieting revelations from the past and alarming prospects for calamity in the future unless Nephthys and her own spiritual powers can set in motion the hard, necessary work of placating the dead and rescuing the living.
Historic detail and mythic folklore forge a scary, thrilling vision of life along America's margins.Pub Date: March 16, 2021
ISBN: 978-1-61775-876-8
Page Count: 304
Publisher: Akashic
Review Posted Online: Dec. 25, 2020
Kirkus Reviews Issue: Jan. 15, 2021
BOOK REVIEW
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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