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CREATURES OF PASSAGE

Historic detail and mythic folklore forge a scary, thrilling vision of life along America's margins.

In which late-1970s Washington, D.C., is reimagined as an enchanted land populated by changelings, phantoms, seers, waking nightmares, and at least one haunted car.

Yejidé follows up her debut, Time of the Locust (2014), with a deeper, broader, and more audacious immersion in magical realism. It is set in 1977, and the District of Columbia is here labeled "the capital" and is surrounded by the Kingdoms of Maryland and Virginia, which are in turn parts of the “united territories” presided over by a succession of elected kings. In the city’s Anacostia section, “an isle of blood and desire…where all things lived and died on the edges of time and space and meaning,” Nephthys Kinwell operates a kind of supernatural jitney service, showing up, at times unbidden, in her rickety Plymouth Belvedere to take the community’s lonely, wayward, or forsaken wherever they want to go. Even through the car’s rattling, her passengers can hear the ghost of a White woman tapping or shifting around in the trunk. But apparently everybody living in this alternate universe is accustomed to dead people hanging around the neighborhood. Among the more restless of those spirits is Osiris, Nephthys’ twin brother, pursuing revenge on the White racists who murdered him and dumped his body in the Anacostia River. He's worried about his daughter, Amber, who's visited by dreams of the near future and regularly submits her obliquely worded prophecies to the local Black newspaper. Meanwhile, Amber’s young son, Dash, is also seeing things: a “make-believe man" by the river and, worse, a not-so-make-believe act of molestation he witnessed by accident in a school utility closet; he’s sure he’s spoken to the former while he’s still not certain he saw the latter. But the molester, whose name is Mercy, is certain he saw Dash see him. Before long, both mystic visions and real-life horrors converge into a sequence of disquieting revelations from the past and alarming prospects for calamity in the future unless Nephthys and her own spiritual powers can set in motion the hard, necessary work of placating the dead and rescuing the living.

Historic detail and mythic folklore forge a scary, thrilling vision of life along America's margins.

Pub Date: March 16, 2021

ISBN: 978-1-61775-876-8

Page Count: 304

Publisher: Akashic

Review Posted Online: Dec. 25, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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