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STRANGE DEATHS OF THE LAST ROMANTIC

An engaging, complex thriller about an unusual man’s search for love and answers.

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In Mikheyev’s grim thriller, a man has a peculiar ability to simply disappear and reappear elsewhere.

Sometime in 2000, 10-year-old Adam Micah survives a car accident in Cleveland that unfortunately kills his mother. After waking from a coma, he moves in with a foster family and, thanks to an odious foster father, becomes increasingly miserable. Consequently, the boy decides to shoot himself. Only he doesn’t die; instead, he awakens naked and somewhere in the Virgin Islands. An amiable family takes him in, and he’s content for a number of years. But when strange men suddenly attack and shoot him, Adam undergoes the same inexplicable awakening, this time winding up in New York. He defies death on multiple occasions and eventually meets college student Lilyanne Beloshinski in Atlanta. Having adopted the new name Aristotle Zurr-McIntyre, Adam falls for Lilyanne, who reciprocates his feelings. But all is not well. Adam learns men are hunting him, possibly for some sort of experiment. Meanwhile, the novel gradually introduces additional characters whose ties to Adam aren’t immediately known: German geneticist Dr. Richard Bonn; Lilyanne’s father, Mark, and her gravely ill mother; and an enigmatic, dangerous individual called the Wisher. It’s fairly clear Adam is in peril; there’s a proficient hit man who may be targeting him. Though Adam is seemingly impervious to death, his reawakenings lead him to question his identity.

Mikheyev’s story is, perhaps unsurprisingly, often surreal. Adam, for example, is just as perplexed as readers will be by his post-gunshot reappearances. These only get gradually more bizarre, like when he wakes up gripping a revolver not knowing how it got there. Nevertheless, the author slowly and satisfyingly answers many puzzling questions, including the intentions of mysterious characters. Dr. Bonn is indeed conducting an experiment with a definite purpose that not only connects to Adam but ties other characters together as well. Mikheyev ensures that Adam’s frequent reawakenings aren’t muddled or confusing; he hears his mother singing whenever he returns from “death.” Though Adam claims to be a romantic, he’s not always convincing. His opening line to Lilyanne (and her friend)—“Do any of you two beauties know what time it is?”—is lame. Adam’s love poetry, however, is simple and effective: “With arms strong, and shoulders stronger, / I wrap myself in / summer / scents / of a blossomed you.” Mikheyev also provides evocative descriptions, like the moon “dropping slivers of silver and white on [a] sad face” or inebriated friends prompting “glass-breaking, fist-swinging madness and pandemonium.” The novel’s latter half is more intense since Adam’s reawakenings become progressively more disorienting. The final act feels a bit rushed with sudden time jumps, but the concluding scene is sublime.

An engaging, complex thriller about an unusual man’s search for love and answers. (author’s note, acknowledgements, author bio)

Pub Date: Nov. 17, 2020

ISBN: 978-0-578-77914-0

Page Count: 259

Publisher: Self

Review Posted Online: Nov. 13, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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