There’s a moral here, but it’s not the intended one.

FOX AND CRANE

Interactive diversions are given considerably more attention than the story in this multilingual version of the Aesopian fable.

Giving neither Aesop nor any other source a mention, the briefly retold tale has Fox, “wanting to pleaseher [sic] new friend” (rather than to play a trick), inviting Crane over for a “treat” that Crane cannot eat, as it’s served in a bowl. Crane returns the invitation and serves a meal to Fox in a long-necked vase—thus sending her away peeved and ending the supposed friendship. The text is available in six European languages including the original Russian, plus “English USA” and “English GB.” Details vary considerably in these last two versions (which are read in appropriate accents) and don’t always agree with the illustrations: The American Fox serves oatmeal and gets corn chowder in return, and the British one gets soup after dishing up rice pudding, but in neither rendition is any oatmeal, rice or corn visible in the respective kitchen scenes. Furthermore, the wording isn’t always sure in either rendition—the British Crane unintuitively “peck[s] up all the soup”; the American Fox “mill[s] around the pitcher”—and the American moral, “What goes around comes around,” is both absent in the other and likely to flummox young readers in any country. Delicately drawn illustrations with a traceable maze, a “concentration” game and other touch-responsive features can’t compensate for the story’s fundamental incoherence.

There’s a moral here, but it’s not the intended one. (iPad storybook app. 6-8)

Pub Date: Jan. 9, 2014

ISBN: N/A

Page Count: -

Publisher: Mumuin.com

Review Posted Online: April 16, 2014

Kirkus Reviews Issue: May 1, 2014

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Inspiration, shrink wrapped.

WHAT THE ROAD SAID

From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.

Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.

Inspiration, shrink wrapped. (Picture book. 6-8, adult)

Pub Date: March 23, 2021

ISBN: 978-1-250-26949-2

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: April 8, 2021

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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