A breezy read that centers on wish fulfillment.
A woman gets a chance to start over in this romantic novel.
On her 50th birthday, Missouri Rothman has a horrible day that culminates with Doyle’s, her husband of 32 years, leaving her for a younger woman. Doyle is a high-ranking professor at the University of Georgia, while Missouri, who does not have a degree, is an administrative associate. Their older son, Michael, only makes Missouri feel worse by asking what she did to drive Doyle away. But the couple’s younger son, Cody, is soon by her side to offer comfort and cook for her. The terms of the divorce give Missouri a chance to go back to school, and with help from her friend Amelia and her former high school art teacher, Thelma Coley, she gets into art school. Despite the awkwardness of being an older student, Missouri is quickly recognized for her talent and given a chance to study in Florence. Doyle, who has started to regret his decision, is resistant to this idea and gets his sons to object as well. She decides to go anyway. In Italy, she is intrigued to discover that one of her new professors is a handsome American. He turns out to be quite interested in her, but her family finds ways to meddle in their budding relationship. It is very easy for readers to root for Missouri, and her post-divorce adventures are often satisfying. But there are some missed opportunities in the construction of the narrative. Readers don’t learn much about the basis of Missouri’s love for Doyle other than that he was attractive and that they were together a long time. This makes it difficult to relate to the feelings she has about their divorce. In addition, the events in Pritchett’s (Like Peaches and Pickles, 2017) tale are somewhat predictable, and things can come a little too easily to Missouri. Readers never get to see her truly struggle with school. But while the writing and story transitions can be abrupt, the text shines brightest in the details of Missouri’s artistry and the landscapes of Italy.
A breezy read that centers on wish fulfillment.Pub Date: Dec. 15, 2016
ISBN: 978-1-61296-797-4
Page Count: 138
Publisher: Black Rose Writing
Review Posted Online: Jan. 26, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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