This collection of stories is intriguing but misses as standout fiction through uneven writing and trying too hard to be...
Edgy writing in an unnerving collection of short fiction.
The title sets the tone for these stories, as each confronts some facet of inappropriate behavior, whether in the reader’s opinion or in the judgment of posterity. Several of the stories focus on historical figures before they gained their notoriety, people we would most likely not want to encounter in daily life. Lee Harvey Oswald is here, as is John Hinckley Jr., the attempted assassin of President Ronald Regan. David Ferrie, the odd informant tied by some to the JFK conspiracy, also makes a visit in the hallucinations of a damaged high school girl. Though well-done, the best of the lot are those created from pure imagination. Farish works best when he is left to his own devices. "Ready for Schmelling" is a strange and humorous account of life in a large corporation that touches the absurd and hints of Kafka. He mixes farcical comedy in "The Thing about Norfolk" with true anguish in the disappointment of small-town life in "Mayflies." Violence haunts these pages, and insanity is the ghost in the machine. The titular story is almost a tour de force on the state of young American families facing unemployment, medical costs, the inability of social institutions to handle specific human problems, and the anxiety of coping with a behaviorally disturbed son in the face of all these obstacles. Almost. Its penultimate section is a steady barrage of questions about life and substance in America that generates frightening momentum as it moves over several pages. Stop there. It loses its punch with the actual ending.
This collection of stories is intriguing but misses as standout fiction through uneven writing and trying too hard to be oddly curious.Pub Date: March 18, 2014
ISBN: 978-1-57131-107-8
Page Count: 224
Publisher: Milkweed
Review Posted Online: Jan. 22, 2014
Kirkus Reviews Issue: Feb. 1, 2014
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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