by Mylisa Larsen ; illustrated by Taia Morley ‧ RELEASE DATE: Sept. 17, 2019
This school story for Christmas has a narrower audience than it depicts.
Is Jack’s substitute teacher really Kris Kringle incognito?
Young Jack, who appears to be a child of color with light brown skin and straight, black hair, is wishing for snow. Kids in his class think that all of their wishes will come true when they notice that their substitute teacher, Mr. Clausen, has a lot in common with Santa Claus. He appears white with light skin and curly white hair, including a full beard. Beyond his physical appearance, he also: has a fondness for milk and cookies; wears a red shirt, green pants, and black boots; has a big laugh that “sounded a lot like a ‘ho, ho, ho’ ”; knits stockings; makes lists; and uses a sled as a prop in science class. The titular “ho ho homework” is an assignment for the kids to make paper snowflakes and write their wishes on them. Jack is at first reluctant to do this because he is dubious about whether or not Mr. Clausen is, in fact, Santa Claus, but he ultimately does so, and he and “the whole neighborhood” wake to a white Christmas. The colorful, digitally enhanced watercolor art has an aesthetic that Tomie dePaola fans will recognize and enjoy. It depicts an apparently racially diverse classroom, but the children all seem to be united in a belief in Santa Claus, which feels unlikely.
This school story for Christmas has a narrower audience than it depicts. (Picture book. 4-7)Pub Date: Sept. 17, 2019
ISBN: 978-0-06-279688-2
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Andy Elkerton & Leo Trinidad
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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