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WHY WAS SHE NAMED FATIMAH?

BLESSED NAMES

An appealing and informative Muslim tale.

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This third installment of a picture-book series seeks to educate Muslim children about the importance of major figures in their religion—especially the meanings and importance of their names.

This story opens with the birth of Fatimah to Hadhrat Khadija, the wife of the Prophet Muhammad. Hadhrat Khadija had been ostracized by society for embracing the Muslim faith and marrying a poor man. Instead of the women in the village, Fatimah’s birth was attended by four heavenly women sent to her by Allah. Thus, the blessed Fatimah was born, and she was favored by her parents. After Hadhrat Khadija’s death, Fatimah cared for her father and was a good and obedient daughter. She grew up and married Imam Ali, known as the first imam from whom all subsequent ones descend. The couple were very holy, and they had four children who went on to become important religious figures as well. At the close of the tale, the Prophet Muhammad tells Imam Ali that his daughter’s name means “the one who separates,” as in the one who will separate the followers of Allah from those facing punishment on the Day of Judgment. Abidi’s (Tales of the Last Messenger, 2019, etc.) engaging and deeply religious tale is accompanied by bright, uncredited digital illustrations. All individuals who are considered holy are depicted with shining lights in front of their faces as indicators of their blessed nature. Unfortunately, many religious terms are not defined in the text. Still, this instructive book is a superb accompaniment to other teachings about Islam provided by parents or religious leaders.

An appealing and informative Muslim tale.

Pub Date: N/A

ISBN: 978-1-68312-095-7

Page Count: 21

Publisher: Kisa Kids Publications

Review Posted Online: June 22, 2020

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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