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THE LAST GIRL

MY STORY OF CAPTIVITY, AND MY FIGHT AGAINST THE ISLAMIC STATE

A devastating yet ultimately inspiring memoir that doubles as an urgent call to action.

A raw, terrifying account of religious genocide and life in captivity under the Islamic State by a young Yazidi woman who survived it.

Born and raised in Kocho, Iraq, Murad grew up hearing about the many genocides her people faced throughout history, but she never imagined she would witness one herself. She enjoyed a quiet childhood in her small farming village, surrounded by a large, loving extended family and the tightknit Yazidi community. But just outside the town limits, danger lingered as Daesh, otherwise known as the Islamic State, began to take control of northern Iraq. Murad was 21 years old when, in August 2014, IS militants laid siege to Kocho and irreparably changed the lives of everyone in the town. After their village leader announced that his people refused to convert to Islam despite threats of violence and death, Kocho's men were rounded up, shot, and buried in mass graves while their mothers, sisters, wives, daughters, and young sons watched from a schoolhouse window before being transported to an even grimmer fate. Older women, such as Murad's mother, were later murdered, young boys were forced into IS, and the girls and younger women like the author were sold into the IS slave trade, where they were subjected to a daily routine of servitude, violence, and rape. Held captive by a group of particularly brutal militants, Murad attempted to flee once before she was able to escape with the help of one remarkable family willing to risk their lives to save hers. With vivid detail and genuine, heartbreaking emotion, the author lays bare not only her unimaginable tragedy, but also the tragedies of an entire people whose plight is largely ignored by the rest of the world. Human rights lawyer and activist Amal Clooney provides the foreword.

A devastating yet ultimately inspiring memoir that doubles as an urgent call to action.

Pub Date: Nov. 7, 2017

ISBN: 978-1-5247-6043-4

Page Count: 320

Publisher: Tim Duggan Books/Crown

Review Posted Online: Sept. 3, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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