HEY, PRESTO!

Distinct from run-of-the-mill argument arcs requiring apology before reconciliation, this alternate model provokes thought.

A magic act goes temporarily awry when a bossypants walks all over his best mate.

Presto is a sweet-looking, big-headed, blue cat. Monty’s probably a dog, with brown fur and a big snout. They “didn’t have much, but it didn’t matter. They were best friends and they were happy.” They do look happy in their alley, complete with trash can, suitcase and two cardboard boxes; however, googly eyes hint at upcoming relational inequality. Monty grandstands, waving a bone and crossing his eyes at nobody in particular, while Presto gazes straight at him adoringly. When they perform a public magic show, it’s Presto’s technical magic expertise that makes showman Monty shine. Then Monty’s ego grows until he’s so self-centered and domineering that a dejected Presto must walk away, leaving Monty to fail in his biggest show ever. (Media-savvy kids may call shenanigans on a magic show being “on television”—couldn’t it be just digital fakery?) Watching TV, Presto sees Monty’s presentation collapsing and “c[a]n’t bear it.” He returns, and they make up. Shireen’s glossy multimedia artwork has a cheery, two-dimensional feeling. Visual jokes (Monty reads Easy Peasy Magic upside down), speech bubbles (“Hey, Presto! Get me chocolate ice cream, with extra sprinkles—now!”), and the techniques behind Presto’s tricks add to interest.

Distinct from run-of-the-mill argument arcs requiring apology before reconciliation, this alternate model provokes thought. (Picture book. 4-7)

Pub Date: Nov. 13, 2012

ISBN: 978-0-375-86905-1

Page Count: 32

Publisher: Knopf

Review Posted Online: Sept. 14, 2012

Kirkus Reviews Issue: Oct. 1, 2012

DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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