Distinct from run-of-the-mill argument arcs requiring apology before reconciliation, this alternate model provokes thought.
A magic act goes temporarily awry when a bossypants walks all over his best mate.
Presto is a sweet-looking, big-headed, blue cat. Monty’s probably a dog, with brown fur and a big snout. They “didn’t have much, but it didn’t matter. They were best friends and they were happy.” They do look happy in their alley, complete with trash can, suitcase and two cardboard boxes; however, googly eyes hint at upcoming relational inequality. Monty grandstands, waving a bone and crossing his eyes at nobody in particular, while Presto gazes straight at him adoringly. When they perform a public magic show, it’s Presto’s technical magic expertise that makes showman Monty shine. Then Monty’s ego grows until he’s so self-centered and domineering that a dejected Presto must walk away, leaving Monty to fail in his biggest show ever. (Media-savvy kids may call shenanigans on a magic show being “on television”—couldn’t it be just digital fakery?) Watching TV, Presto sees Monty’s presentation collapsing and “c[a]n’t bear it.” He returns, and they make up. Shireen’s glossy multimedia artwork has a cheery, two-dimensional feeling. Visual jokes (Monty reads Easy Peasy Magic upside down), speech bubbles (“Hey, Presto! Get me chocolate ice cream, with extra sprinkles—now!”), and the techniques behind Presto’s tricks add to interest.
Distinct from run-of-the-mill argument arcs requiring apology before reconciliation, this alternate model provokes thought. (Picture book. 4-7)Pub Date: Nov. 13, 2012
ISBN: 978-0-375-86905-1
Page Count: 32
Publisher: Knopf
Review Posted Online: Sept. 14, 2012
Kirkus Reviews Issue: Oct. 1, 2012
Young readers will be “antsy” to join the hero on her satisfying escapade.
An ant explores her world.
Addie Ant’s ready for adventure. Despite some trepidation about leaving the Tomato Bed, where she lives with her aunt, she plucks up her courage and ventures forth across the garden to the far side of the shed. On her journey, she meets her pal Lewis Ladybug, who greets her warmly, points the way, and offers sage advice. When Addie arrives at her destination, she’s welcomed by lovely Beatrix Butterfly and enjoys an “ant-tastic” helping of watermelon. Beatrix also provides Addie with take-home treats and a map for the “Cricket Express,” which will take her straight home. Arriving at the terminal, Addie’s delighted to meet another friend, Cleo Cricket, whose carriage service returns Addie home in “two hops.” After eating a warm tomato soup dinner, Addie falls asleep and dreams of future exploits. Adorable though not terribly original, this story brims with sensuous pleasures, both textual and visual. Kids who declare that they dislike fruits or veggies may find their mouths watering at the mentions and sights of luscious tomatoes, peas, beans, watermelons, berries, and other foodstuffs; insect-averse readers may likewise think differently after encountering these convivial, wide-eyed characters. And those flowers and herbs everywhere! The highlights are the colors that burst from the pages. Addie’s an endearing, empowering character who reassures children they’ll be able to take those first independent steps successfully.
Young readers will be “antsy” to join the hero on her satisfying escapade. (author’s note about ants) (Picture book. 4-7)Pub Date: April 9, 2024
ISBN: 9781797228914
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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