Despite its allegorical promise and imaginative recasting, Fawkes’ execution leaves plenty to be desired.
The infamous Gunpowder Plot of 1605 is reworked with a fantasy twist.
At St. Peter’s Color School, Thomas Fawkes is desperate to pass his Color Test and access his magical powers. Afflicted by the Stone Plague and shunned by his peers, Thomas waits in vain for Guy Fawkes, his father, to arrive and pass on his powers. However, Fawkes senior sends word that he is not coming, and Thomas is expelled from school. He escapes to London, where he finds Guy and joins a plot to murder King James and several hundred parliamentarians in an England divided between persecuted Keepers (Catholics) and dominant Igniters (Protestants). Thomas’ love interest, Emma Areben, is an Igniter of African descent, and while there is some narrative around race and slavery, it lacks enough detail to offer major insights into the social structure and mores of the time. The book’s historical flair—most characters were real people—is muted by Brandes’ (A Time to Rise, 2016, etc.) melodramatic writing style and contrived dialogue. The result is an awkward mélange of modern teenage angst and excessively stylized faux historical dialect. Characters traipse through a series of shallow epiphanies, with little opportunity for real insight, and the treatment of space and movement is clumsy, leaving readers struggling to visualize important scenes.
Despite its allegorical promise and imaginative recasting, Fawkes’ execution leaves plenty to be desired. (author’s note, discussion questions) (Historical fantasy. 14-18)Pub Date: July 10, 2018
ISBN: 978-0-7852-1714-5
Page Count: 352
Publisher: Thomas Nelson
Review Posted Online: April 9, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK REVIEW
BOOK REVIEW
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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