Next book

TELLING TIMES

WRITING AND LIVING, 1954-2008

Nonetheless, a much-deserved tribute to Gordimer and a firm reminder of her country’s difficult path to liberation.

A massive collection of nonfiction by the South African Nobel Prize winner and longtime critic of apartheid.

This omnibus of essays by Gordimer (Beethoven Was One-Sixteenth Black, 2007, etc.) runs chronologically. Though it’s only intermittently autobiographical, it begins with her early years: In “A South African Childhood,” she describes growing up in comfort but never far from the mining industry that introduced her to her homeland’s institutionalized racism. Gordimer addresses apartheid from several angles: as a literary critic, considering the works of black authors who were routinely banned by the state; as a dissident, protesting the racist policies that prompted jailings, violence and uprootings of communities; and as a keen social observer who took note of the intimate bonds that connected blacks and whites when they could meet away from the authorities’ eyes. Her tone on the subject is stern, chastising, mournful, mocking and, once apartheid began to collapse in 1990, jubilant. But what consistently defines her prose is a fierce commitment to addressing the subject openly and in plain speech. Even after the end of apartheid she wrote thoughtfully on the steps that both blacks and whites needed to take to achieve social parity. Telling Times also includes Gordimer’s essays on other topics, mainly literature and philosophy. She had a youthful affinity for French existentialists, and there are numerous close readings of fiction writers from South Africa (J.M. Coetzee, William Plomer), the Middle East and the United States. Away from political or literary concerns, though, the author has a more difficult time finding her footing. Her travel pieces on the Congo, Botswana and Madagascar are meandering and surprisingly unevocative for a writer who has imagined Africa so powerfully in her fiction. Though her political commitment persists, there’s less force in her later work, mostly briefer articles of the op-ed and keynote-speech variety.

Nonetheless, a much-deserved tribute to Gordimer and a firm reminder of her country’s difficult path to liberation.

Pub Date: June 28, 2010

ISBN: 978-0-393-06628-9

Page Count: 800

Publisher: Norton

Review Posted Online: April 8, 2011

Kirkus Reviews Issue: April 15, 2010

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview