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TOMORROW

Kaadan crafts a happy ending within an active war context, no easy feat; readers seeking a less fantasy-dependent plot may...

A story about how a child and his family cope with war.

Yazan, a Syrian boy, has not been able to go to the park to play recently nor to go to school sometimes, which upsets him. He used to have fun watching his mother paint and painting with her, but recently she has been constantly watching TV with the volume so loud and the images spilling out of it full of darkness—literally: Shadows ooze out of it in the pencil-and-watercolor illustrations, one of many symbolic images used to portray war and destruction. One weekend, after all of Yazan’s attempts at self-entertainment and to engage with his parents fail, he escapes. However, the world he sees outside is not what he expected: The street is empty, there are no other kids to play with, and scary sounds of explosions abound. Yazan’s father eventually comes to the rescue, and his parents become more involved again, explaining to him why he cannot go outside. His mother brings her paints, and Yazan is excited. “When will the fighting be over?” he asks. “I don’t know,” says his mother, but “let’s paint a park in your bedroom…and soon, you’ll be able to go outside again and play.”

Kaadan crafts a happy ending within an active war context, no easy feat; readers seeking a less fantasy-dependent plot may enjoy Nicola Davies and Rebecca Cobb’s The Day War Came (2018) or Hayan Charara and Sara Kahn’s The Three Lucys (2016). (Picture book. 4-8)

Pub Date: Sept. 1, 2018

ISBN: 978-1-911373-43-8

Page Count: 32

Publisher: Lantana

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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I GOT YOU

Brotherly love and Black joy abound in this brilliantly told tribute to the ties that bind.

When Mom and Dad bring baby Rasheed home for the first time, it’s love at first sight for big brother Anthony.

As the boys grow, Anthony teaches his little sibling how to build a tower with blocks (and how to knock it down with a loud “WHOP!!!”), how to ride a bike, and even how to fly (through a well-timed leap from the swings). When thunder and lightning wake them both one night, Anthony assuages Rasheed’s fears with the book’s titular refrain: “I got you.” But one day Anthony goes for a bike ride with his friends, leaving Rasheed alone and hurt. That night, Anthony explains that while he may spend time with his peers, his bond with Rasheed is unbreakable. And as the book comes to a close, with Mom and Dad introducing the boys to their new little sibling, Anthony leaves Rasheed with perhaps the greatest lesson of all: how to be a supportive big brother himself. Narrated by Rasheed, Barnes’ text is elegant in its simplicity, loving yet never saccharine, and always emotionally honest. Using varied perspectives, Knight-Justice’s richly hued, collagelike digital illustrations combine a patchwork of textures and patterns, immersing readers in this affectionate Black family’s world. Greens and blues dominate the pages, bringing to life an idyllic suburban setting.

Brotherly love and Black joy abound in this brilliantly told tribute to the ties that bind. (Picture book. 4-8)

Pub Date: July 15, 2025

ISBN: 9780593111451

Page Count: 32

Publisher: Nancy Paulsen Books

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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