An unusual refugee story that may open doors for empathy.
In this book, based on a real-life story, Bassel, a young Syrian man, becomes a refugee because of war and escapes his city for Europe, leaving his beloved dog, Stella, behind.
When gunfire wakes Bassel and Stella up at night, he tells her it is OK but knows that’s not true. Soon, living in his war-torn country is no longer safe, and, like millions of others, he must leave. Saying goodbye to family, friends, and Stella, he makes the arduous journey to Europe—on foot and by rubber dinghy, spending months confined in a refugee camp. A Belgian family opens their arms to him, and his host and friends from back home help him reunite with Stella. The dog’s journey will not be easy either, but the story ends on a happy and hopeful note. Both she and Bassel will have two lives now, one “lost” and a new one “found.” Expressive, softly stylized illustrations pay great attention to Bassel’s and Stella’s emotions throughout the book, and notes by the Syrian co-author and illustrator share details about their lives and the war. An afterword sheds more light on refugees around the world and includes a call to action to support them. It also provides further information about the Syrian conflict but unfortunately contains significant errors: saying that Turkey supports Assad and calling the Kurds (Syria’s largest ethnic minority) a rebel group; moreover it frames the conflict as one waged against Assad by rebel groups with different agendas and elides the role of civilian resistance to an authoritarian government. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 38.7% of actual size.)
An unusual refugee story that may open doors for empathy. (Picture book. 5-11)Pub Date: Nov. 3, 2020
ISBN: 978-1-5476-0133-2
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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