A deeply felt, truly empathetic story about the value of sharing burdens with others.
Misery loves company, they say. This Canadian import, translated from the French, deftly deconstructs that cliché.
A blue elephant, eyes closed, lies on the ground, in the shadows. His friends on the savanna have been discussing his mental state: Is he gloomy or sad, they wonder, or does he prefer shadows? The monkey tells a joke, the ostrich sisters perform a can-can dance in high heels, and the crocodile brings him a treat. Nothing succeeds in cheering him up. A mouse, who merely wants to rest next to the elephant, appears. “You’re not here to change my mind?” the intrigued elephant asks, finally sitting up. After the mouse tells the elephant its woes, a story involving regret and shame, both of them release a “flood of tears.” For the first time the elephant, “drained of his tears,” stands. The two head off into the night. The book’s uncluttered compositions with tightly framed perspectives and Vidali’s sure lines and simple shapes reduce the dramatic action to its essentials. The palette, dominated by velvety, richly colored blues, heightens the book’s emotional impact, and the beguiling use of light and shadow establishes a wistful, pensive mood. The story, including its evocative title, can serve as an effective conversation starter on topics such as compassion, melancholy, and what it means to be a friend.
A deeply felt, truly empathetic story about the value of sharing burdens with others. (Picture book. 4-9)Pub Date: Sept. 22, 2020
ISBN: 978-1-59270-312-8
Page Count: 48
Publisher: Enchanted Lion Books
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
PERSPECTIVES
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