In an era when writers of color are broadening the space in which class and culture as well as race are examined,...

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HEADS OF THE COLORED PEOPLE

A bold new voice, at once insolently sardonic and incisively compassionate, asserts itself amid a surging wave of young African-American fiction writers.

In her debut story collection, Thompson-Spires flashes fearsome gifts for quirky characterization, irony-laden repartee, and edgy humor. All these traits are evident in an epistolary narrative entitled “Belles Lettres,” which tells its story through a series of increasingly snarky notes exchanged between two African-American mothers via the backpacks of their young daughters, the only two black students in their class at a California private school, who are engaged in some stressful and, at times, physical conflict with each other. The next story, “The Body’s Defenses Against Itself,” follows these girls, Christinia and Fatima, through high school and into adulthood as they continue to needle each other over issues of appearance and weight. (Yoga appears to be the answer. Or at least an answer.) The theme of self-image carries into the third story of this cycle, “Fatima, the Biloquist: A Transformation Story,” in which youthful romantic rituals, awkward as ever, are further complicated by presumptions of racial “authenticity.” In these and other stories, Thompson-Spires is attentive to telling details of speech, comportment, and milieu, sometimes to devastating effect. The title story carries a subhead, “Four Fancy Sketches, Two Chalk Outlines, and No Apology,” that only hints at the audacity, drollness, and, in the end, desolation compressed into this account of an altercation outside a comic book convention between two young black men, a flamboyantly costumed fan and an ill-tempered street entrepreneur. It seems difficult for even the most experienced storyteller to achieve an appealing balance of astringency and poignancy, and yet Thompson-Spires hits that balance repeatedly, whether in the darkly antic “Suicide, Watch,” in which an especially self-conscious young woman named Jilly struggles with how best to commit suicide (and to tell her friends about it on social media), or in the deeply affecting “Wash Clean the Bones,” whose churchgoing protagonist struggles with her soul over whether she should raise her newborn son in a racist society.

In an era when writers of color are broadening the space in which class and culture as well as race are examined, Thompson-Spires’ auspicious beginnings augur a bright future in which she could set new standards for the short story.

Pub Date: April 10, 2018

ISBN: 978-1-5011-6799-7

Page Count: 208

Publisher: 37 Ink/Simon & Schuster

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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Readers seeking a tale well told will take pleasure in King’s sometimes-scary, sometimes merely gloomy pages.

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THE BAZAAR OF BAD DREAMS

STORIES

A gathering of short stories by an ascended master of the form.

Best known for mega-bestselling horror yarns, King (Finders Keepers, 2015, etc.) has been writing short stories for a very long time, moving among genres and honing his craft. This gathering of 20 stories, about half previously published and half new, speaks to King’s considerable abilities as a writer of genre fiction who manages to expand and improve the genre as he works; certainly no one has invested ordinary reality and ordinary objects with as much creepiness as King, mostly things that move (cars, kid’s scooters, Ferris wheels). Some stories would not have been out of place in the pulp magazines of the 1940s and ’50s, with allowances for modern references (“Somewhere far off, a helicopter beats at the sky over the Gulf. The DEA looking for drug runners, the Judge supposes”). Pulpy though some stories are, the published pieces have noble pedigrees, having appeared in places such as Granta and The New Yorker. Many inhabit the same literary universe as Raymond Carver, whom King even name-checks in an extraordinarily clever tale of the multiple realities hidden in a simple Kindle device: “What else is there by Raymond Carver in the worlds of Ur? Is there one—or a dozen, or a thousand—where he quit smoking, lived to be 70, and wrote another half a dozen books?” Like Carver, King often populates his stories with blue-collar people who drink too much, worry about money, and mistrust everything and everyone: “Every time you see bright stuff, somebody turns on the rain machine. The bright stuff is never colorfast.” Best of all, lifting the curtain, King prefaces the stories with notes about how they came about (“This one had to be told, because I knew exactly what kind of language I wanted to use”). Those notes alone make this a must for aspiring writers.

Readers seeking a tale well told will take pleasure in King’s sometimes-scary, sometimes merely gloomy pages.

Pub Date: Nov. 3, 2015

ISBN: 978-1-5011-1167-9

Page Count: 512

Publisher: Scribner

Review Posted Online: Aug. 17, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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