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HEADS OF THE COLORED PEOPLE

In an era when writers of color are broadening the space in which class and culture as well as race are examined,...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2018


  • Kirkus Prize
  • Kirkus Prize
    finalist

A bold new voice, at once insolently sardonic and incisively compassionate, asserts itself amid a surging wave of young African-American fiction writers.

In her debut story collection, Thompson-Spires flashes fearsome gifts for quirky characterization, irony-laden repartee, and edgy humor. All these traits are evident in an epistolary narrative entitled “Belles Lettres,” which tells its story through a series of increasingly snarky notes exchanged between two African-American mothers via the backpacks of their young daughters, the only two black students in their class at a California private school, who are engaged in some stressful and, at times, physical conflict with each other. The next story, “The Body’s Defenses Against Itself,” follows these girls, Christinia and Fatima, through high school and into adulthood as they continue to needle each other over issues of appearance and weight. (Yoga appears to be the answer. Or at least an answer.) The theme of self-image carries into the third story of this cycle, “Fatima, the Biloquist: A Transformation Story,” in which youthful romantic rituals, awkward as ever, are further complicated by presumptions of racial “authenticity.” In these and other stories, Thompson-Spires is attentive to telling details of speech, comportment, and milieu, sometimes to devastating effect. The title story carries a subhead, “Four Fancy Sketches, Two Chalk Outlines, and No Apology,” that only hints at the audacity, drollness, and, in the end, desolation compressed into this account of an altercation outside a comic book convention between two young black men, a flamboyantly costumed fan and an ill-tempered street entrepreneur. It seems difficult for even the most experienced storyteller to achieve an appealing balance of astringency and poignancy, and yet Thompson-Spires hits that balance repeatedly, whether in the darkly antic “Suicide, Watch,” in which an especially self-conscious young woman named Jilly struggles with how best to commit suicide (and to tell her friends about it on social media), or in the deeply affecting “Wash Clean the Bones,” whose churchgoing protagonist struggles with her soul over whether she should raise her newborn son in a racist society.

In an era when writers of color are broadening the space in which class and culture as well as race are examined, Thompson-Spires’ auspicious beginnings augur a bright future in which she could set new standards for the short story.

Pub Date: April 10, 2018

ISBN: 978-1-5011-6799-7

Page Count: 208

Publisher: 37 Ink/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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A KNIGHT OF THE SEVEN KINGDOMS

As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in...

Huzzah! Martin (The Ice Dragon, 2014, etc.) delivers just what fans have been waiting for: stirring tales of the founding of the Targaryen line.

Duncan—Dunk for short—has his hapless moments. He’s big, nearly gigantic, “hugely tall for his age, a shambling, shaggy, big-boned boy of sixteen or seventeen.” Uncertain of himself, clumsy, and alone in the world, he has every one of the makings of a hero, if only events will turn in that direction. They do, courtesy of a tiny boy who steals into the “hedge knight” Dunk’s life and eventually reveals a name to match that of Ser Duncan the Tall—an altogether better name, at that, than Duncan of Flea Bottom would have been. Egg, as the squire calls himself, has a strange light about him, as if he will be destined to go on to better things, as indeed he will. Reminiscent of a simpler Arthur Rackham, the illustrations capture that light, as they do the growing friendship between Dunk and Egg—think Manute Bol and Muggsy Bogues, if your knowledge of basketball matches your interest in fantasy. This being Martin, that friendship will not be without its fraught moments, its dangers and double crosses and knightly politics. There are plenty of goopily violent episodes as well, from jousts (“this time Lord Leo Tyrell aimed his point so expertly he ripped the Grey Lion’s helm cleanly off his head”) to medieval torture (“Egg…used the hat to fan away the flies. There were hundreds crawling on the dead men, and more drifting lazily through the still, hot air.”). Throughout, Martin delivers thoughtful foreshadowing of the themes and lineages that will populate his Ice and Fire series, in which Egg, it turns out, is much less fragile than he seems.

As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more—and with luck, Martin will oblige them with more of these early yarns.

Pub Date: Oct. 6, 2015

ISBN: 978-0-345-53348-7

Page Count: 368

Publisher: Bantam

Review Posted Online: Oct. 6, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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FIVE-CARAT SOUL

McBride emerges here as a master of what some might call “wisdom fiction,” common to both The Twilight Zone and Bernard...

A versatile, illustrious author brings out his first short-fiction buffet for sampling, and the results are provocatively varied in taste and texture; sometimes piquant, other times zesty.

It’s not every contemporary fiction collection that includes one story featuring Abraham Lincoln and another (somewhat) unrelated story involving a young mixed-race orphan wandering Civil War battlefields insisting he is President Lincoln’s son. But when the imagination at work here is as well-traveled as McBride’s, such juxtapositions are easily understood—and widely anticipated. Celebrated for his bestselling family memoir, The Color of Water (1996), and his National Book Award–winning antebellum picaresque novel, The Good Lord Bird (2013), McBride exhibits his formidable storytelling chops in an array of voices and settings that, however eclectic, are mostly held together by themes of race history and cultural collisions. As with most story collections, some selections work better than others; but those that do resonate profoundly. For instance: the first story, “The Under Graham Railroad Box Car Set,” is told from the point of view of a white antique-toy dealer who, upon encountering the black family who now own a rare 19th-century train set once given as a present to Robert E. Lee’s son, is nonplused by their willingness to give him the valuable artifact without haggling over money. There is also a poignant four-story cycle bearing the rubric “The Five Carat Soul Bottom Bone Band,” referring to a quintet of teen funk band musicians from an at-risk neighborhood in Uniontown, Pennsylvania, a Pittsburgh suburb. McBride is daring enough to apply his realist’s sensibilities to fantasy with “The Moaning Bench,” in which a flamboyant heavyweight boxer bearing the looks, sass, and swagger, if not the same name, as Muhammad Ali challenges hell’s satanic gatekeeper to fight for the souls of five quivering candidates for Eternal Damnation. The best is saved for last: “Mr. P & the Wind,” a five-part suite of stories set in a contemporary urban zoo whose menagerie communicates with each other—and at least one human—in what they call Thought Speak. The charm emitted by these whimsical-yet-acerbic tales seems to come from a hypothetical late-19th-century collaboration of Mark Twain and Rudyard Kipling.

McBride emerges here as a master of what some might call “wisdom fiction,” common to both The Twilight Zone and Bernard Malamud, offering instruction and moral edification to his readers without providing an Aesop-like moral.

Pub Date: Sept. 26, 2017

ISBN: 978-0-7352-1669-3

Page Count: 320

Publisher: Riverhead

Review Posted Online: July 3, 2017

Kirkus Reviews Issue: July 15, 2017

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