Nobelist Mahfouz offers here a slender, magical parable of idealism and compromise through a stylized Middle East odyssey, first published in Arabic in 1983. Thwarted in marriage when his fiancee is claimed by the sultan's chamberlain, Qindil Muhammad al-Innabi, called Ibn Fattouma, resolves to go on a pilgrimage to the storied land of Gebel. The tale of his travels is a tale of detours. Passing through the moon-worshipping land of Mashriq, he stays for several years with lightsome Arousa, but is exiled for sharing his Muslim religion with their children. When Hairs, a police state where Fattouma has been staying, conquers Mashriq, he purchases Arousa in a slave auction, but again his bride catches the eye of an influential advisor, and he is sentenced to life imprisonment for speaking out against the advisor. Released after 20 years by another war, he travels to Halba—a land of complete freedom that seems a sly portrait of America—and takes another wife; the reappearance of Arousa, though, reproaches him with his inconstancy to his pilgrimage, and he sets out for Aman, the land of perfect justice whose price is total conformity. Increasingly disillusioned in his nation's betrayal of Muslim beliefs, Fattouma follows Arousa to Ghuroub, where he attaches himself to a holy man who tries to prepare him for the journey to Gebel, but more fighting forces him to press on prematurely, and it is unclear from the ending of his journal whether he ever reaches his elusive goal. What is clear is the simple charm with which Mahfouz dramatizes fundamental questions about tolerance, love, and mortality while condensing a lifetime's worth of experience into 160 pages. Mahfouz is widely considered the most Western of contemporary Arab novelists, but the closest Western analogue here—Pilgrim's Progress starring Sinbad the Sailor—only reinforces the distance between East and West. Still, an ideal introduction to Mahfouz for readers put off by the Cairo Trilogy's expansive length.
Pub Date: Sept. 8, 1992
ISBN: 0-385-42323-3
Page Count: 160
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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