A richly detailed coming-of-age fantasy epic that rewards the patient and contemplative reader.
Can humans bridge the gulf that separates them from beasts? Is it love that binds all sentient life—or fear?
In this translation of the first entry in international-award–winning Japanese author Uehashi’s (Moribito, 2014, etc.) hit series, 10-year-old Elin idolizes her mother, a skilled beast doctor for Toda, fearsome battle serpents. When some Toda die mysteriously, Elin’s mother is sentenced to death. Elin escapes and finds a kind beekeeper in the mountains who raises her as his own. As she grows into adulthood, she discovers her love for all living creatures and a unique gift for communicating with the magical Royal Beasts. But the nation’s political structure is fragile. Soon Elin is thrust into deadly civil conflict and must decide whether to use her beloved animal friends as tools of war. The author creates complex societies and fantastical creatures with imaginative, immersive detail. In a refreshing change for Western readers, the central issue hinges on neither individual power nor romantic love but kindness balanced against responsibility, and the narrative jumps among the perspectives of numerous characters in a more digressive style than they may be accustomed to. It’s lovely to watch Elin blossom from a quiet, curious child into a compassionate, thoughtful young woman with a steadfast moral compass—even if that compass sometimes leads her astray.
A richly detailed coming-of-age fantasy epic that rewards the patient and contemplative reader. (Fantasy. 13-adult)Pub Date: March 26, 2019
ISBN: 978-1-250-30746-0
Page Count: 352
Publisher: Henry Holt
Review Posted Online: Dec. 18, 2018
Kirkus Reviews Issue: Jan. 15, 2019
PERSPECTIVES
PERSPECTIVES
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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