Rich in voice, humor and dazzling imagery, studded with edgy ideas and wildly original, this multicultural mashup—like its...

THE CHAOS

Noted for her fantasy and science fiction for adults, Hopkinson jumps triumphantly to teen literature.

Scotch’s womanly build and mixed heritage (white Jamaican dad, black American mom) made her the target of small-town school bullies. Since moving to Toronto, she’s found friends and status. Now both are threatened by the mysterious sticky black spots on her skin (she hides them under her clothes, but they’re growing). When a giant bubble appears at an open-mic event, Scotch dares her brother, Rich, to touch it. He disappears, a volcano rises from Lake Ontario, and chaos ripples across city and world, transforming reality in ways bizarre and hilarious, benign and malignant. A lesbian folksinger with Tamil roots becomes a purple triangle with an elephant’s trunk; jelly beans grow teeth; buried streams resurface. Scotch searches for Rich across a surreal, sensual cityscape informed by Caribbean and Russian folklore. Although what they represent and where they come from are open to interpretation, the manifestations are real to everyone and must be dealt with. Hopkinson opens her YA debut conventionally but soon finds her own path, creating a unique vocabulary with which to explore and express personal identity in its myriad forms and fluidity. Anything but essentialist, she captures her characters in the act of becoming.

Rich in voice, humor and dazzling imagery, studded with edgy ideas and wildly original, this multicultural mashup—like its heroine—defies categorization. (Fantasy. 12 & up)

Pub Date: April 12, 2012

ISBN: 978-1-4169-5488-0

Page Count: 256

Publisher: McElderry

Review Posted Online: Feb. 15, 2012

Kirkus Reviews Issue: March 1, 2012

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A rush of emotion and suspense.

THE FIRST TO DIE AT THE END

Crowds gather across the United States for the launch of Death-Cast, a company that promises to change the world by predicting the deaths of everyone who subscribes in this prequel to They Both Die at the End (2017).

Orion Pagan, an aspiring author with a heart condition, hopes his phone won’t ring at midnight, but he knows Death-Cast’s call is coming soon. Unlike Orion, Valentino Prince, a model on the verge of his national debut, has no reason to anticipate Death-Cast’s call and isn’t sure if he believes the company’s claims. By coincidence or fate, their lives collide at a party in Times Square, and a single, historic phone call alters the courses of their futures. This heart-pounding story follows the final day of the first Decker, or person who is going to die, and the national chaos of Death-Cast’s premiere. Silvera crafts a web of intricately interconnected character perspectives and conflicts around Orion and Valentino. Apart from Valentino and his twin sister, who are presumed White, most of the characters are Latine, including White-passing Orion, whose family is Puerto Rican. The story confronts heavy topics like grief, abuse, and religious faith with complexity and care. Despite the presumed inevitability of a fatal end to the central romance between Orion and Valentino, Silvera subverts the trope of punishing gay characters with violent tragedy. Familiarity with the original book provides additional context and depth but isn’t essential to understanding the plot.

A rush of emotion and suspense. (Speculative fiction. 13-18)

Pub Date: Oct. 4, 2022

ISBN: 978-0-06-324080-3

Page Count: 416

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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A reimagined folktale as grand as its painted visuals are sublime.

SHUNA'S JOURNEY

A dangerous quest to feed an impoverished land leads to chance encounters and awe-inspiring sights.

Shuna, the prince of a humble, struggling country, acts on the advice of a dying traveler from an Eastern land to seek out seeds that will grow bountiful grains. What he finds is a hostile city built on greed with an active slave trade. After meeting Thea and her little sister, Shuna fights to free them from enslavers. Every scene in this cinematic work stands apart with breathtaking watercolors aided by expert staging and blocking. The sights along Shuna’s journey range from a derelict ship in a treacherous desert to supernatural creatures and settings. The certainty and simplicity of Shuna’s motivations along with Thea’s own narrative arc allow the story to move nimbly from one larger-than-life spectacle to another. The pages read right-to-left manga style, while large panels and minimal dialogue create an immediate, immersive experience for readers. The narration sits outside or along the edges of panels, allowing the lush visuals maximum room to impress. Afterwords from the author and translator describe the story’s roots in a Tibetan folktale as well as comparisons to Miyazaki’s later animated works; this story, translated from Japanese, was originally published in Japan in 1983 before Miyazaki rose to fame with Studio Ghibli. The story’s cultural origins are cued through characters’ garb and other visual elements.

A reimagined folktale as grand as its painted visuals are sublime. (Graphic fiction. 12-18)

Pub Date: Nov. 1, 2022

ISBN: 978-1-250-84652-5

Page Count: 160

Publisher: First Second

Review Posted Online: Aug. 3, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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