A scholarly but engrossing meditation that challenges what we see in portraits—and in our mirrors.
A set of essays reconsidering how we think about faces through the lens of films, books, emoji, and more.
Serpell is one of our brightest new fiction writers and essayists. Her 2019 novel, The Old Drift, which won both the Windham-Campbell Prize and Anisfield-Wolf Book Award, addresses colonialism with rare intelligence and sweep while her work for the New York Review of Books makes her a compelling voice on race and Africa in culture. This short book, based on her research, isn’t the easiest place to get to know her, but it’s rich with thoughtful considerations of the human face and how we look at it. In the case of Joseph Merrick, aka the Elephant Man, Serpell is intrigued at how his deformities inspire a host of metaphors, not all involving ugliness and horror. In Hannah Crafts, the cryptic author of the slave narrative The Bondwoman’s Narrative, Serpell finds a trove of subversions of expectations of black and white “faces,” from the narrator’s light skin and author’s plagiarism onward. In a concluding chapter, the author reconsiders the emoji’s role in culture and how the lack of common interpretations opens up the images to playful and nuanced interpretations. That plus two more essays on Alfred Hitchcock’s Psycho and Werner Herzog’s Grizzly Man doesn’t add up to a cohesive thesis on faces. Serpell writes that she wishes to “shatter” conventional interpretations of the face, but she isn’t moved to assemble a new one from the pieces. Her discussion of fetishes drifts into academic jargon, and she is, by her own admission, overly obsessed with the role of a mop in Hitchcock’s classic. But in recasting the Elephant Man’s face as a thing of beauty (or at least one with its own aesthetics) and studying digital avatars for multitudes of expression (including blackface), she’s broken ground for further commentary.
A scholarly but engrossing meditation that challenges what we see in portraits—and in our mirrors.Pub Date: Sept. 29, 2020
ISBN: 978-1-945492-43-3
Page Count: 140
Publisher: Transit Books
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
