A scholarly but engrossing meditation that challenges what we see in portraits—and in our mirrors.
A set of essays reconsidering how we think about faces through the lens of films, books, emoji, and more.
Serpell is one of our brightest new fiction writers and essayists. Her 2019 novel, The Old Drift, which won both the Windham-Campbell Prize and Anisfield-Wolf Book Award, addresses colonialism with rare intelligence and sweep while her work for the New York Review of Books makes her a compelling voice on race and Africa in culture. This short book, based on her research, isn’t the easiest place to get to know her, but it’s rich with thoughtful considerations of the human face and how we look at it. In the case of Joseph Merrick, aka the Elephant Man, Serpell is intrigued at how his deformities inspire a host of metaphors, not all involving ugliness and horror. In Hannah Crafts, the cryptic author of the slave narrative The Bondwoman’s Narrative, Serpell finds a trove of subversions of expectations of black and white “faces,” from the narrator’s light skin and author’s plagiarism onward. In a concluding chapter, the author reconsiders the emoji’s role in culture and how the lack of common interpretations opens up the images to playful and nuanced interpretations. That plus two more essays on Alfred Hitchcock’s Psycho and Werner Herzog’s Grizzly Man doesn’t add up to a cohesive thesis on faces. Serpell writes that she wishes to “shatter” conventional interpretations of the face, but she isn’t moved to assemble a new one from the pieces. Her discussion of fetishes drifts into academic jargon, and she is, by her own admission, overly obsessed with the role of a mop in Hitchcock’s classic. But in recasting the Elephant Man’s face as a thing of beauty (or at least one with its own aesthetics) and studying digital avatars for multitudes of expression (including blackface), she’s broken ground for further commentary.
A scholarly but engrossing meditation that challenges what we see in portraits—and in our mirrors.Pub Date: Sept. 29, 2020
ISBN: 978-1-945492-43-3
Page Count: 140
Publisher: Transit Books
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
BOOK REVIEW
BOOK REVIEW
A compelling journey into the heart of darkness with an articulate, capable guide.
An investigation of evil and how it manifests in our society.
As an acclaimed journalist, Sullivan, author of Graveyard of the Pacific, Dead Wrong, and other books, thought of himself as a man of reason and intelligence, with a good dose of cynicism. Then, when covering the wars that tore apart Yugoslavia, he confronted too many atrocities to believe that nothing was behind them. The author sensed the presence of evil and began to research the origin of it, which led him to the fundamental figure of malignity. While researching the book, Sullivan brushed against inexplicable, personal incidents—e.g., a weird threat from a well-dressed stranger, an ominous letter in his mailbox, the dream image of a black dog. The author shows how Christianity gave the Devil a personification, a central role, and a name. Sullivan looks at the theologians who wrestled with the conflict between the persistence of evil and the presence of an omnipotent God, finding that none of them reached a satisfying conclusion. He also studies a number of serial killers and murders, as well as accounts of a carefully documented, nightmarish exorcism that lasted four months in Iowa in 1928. Yet somehow, writes Sullivan, the Devil has been able to convince everyone that he does not exist, so is “able to hide in plain sight because of the cover we all give him with our fear, our denial, our rationalization, [and] our deluded sense of enlightenment.” The author believes that the Devil is real, but, he adds, each of us is responsible for our own decisions. This is not an easy book to read, and some parts are profoundly disturbing. Sullivan offers crucial insights, but timid readers should think carefully before entering its dark labyrinth.
A compelling journey into the heart of darkness with an articulate, capable guide.Pub Date: May 14, 2024
ISBN: 9780802119131
Page Count: 432
Publisher: Atlantic Monthly
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: March 1, 2024
A pithy, upbeat memoir by a self-described romantic feminist.
The popular Chilean novelist shares life's lessons.
Approaching 80, Allende offers wise thoughts on aging, romance, sex, love, and, above all, her feminism—which began in kindergarten, when she saw her mother, abandoned with three small children, forced to become dependent on men. “I became obsessed with justice,” writes the author, “and developed a visceral reaction to male chauvinism.” Angry and often rebellious, Allende was “expelled from school—run by German Catholic nuns—at age 6, accused of insubordination; it was a prelude to my future.” Thankfully, her doting grandfather, although “the unquestionable patriarch of the family,” encouraged her abilities; “he understood the disadvantages of being a woman and wanted to give me the tools I needed so I would never have to depend on anyone.” Married at 20 and soon a mother of two, Allende felt stifled until she joined the staff of Paula magazine, where writing provided an outlet for her restlessness. The author charts the evolution of her own “fluid, powerful, deep” feminism as it relates to her self-image. While she refuses “to submit to the Eurocentric feminine ideal—young, white, tall, thin, and fit,” she does “jump out of bed an hour before everybody else to shower and put on makeup because when I wake up I look like a defeated boxer.” Now happily married to her third husband, Allende claims that “love rejuvenates” and that after menopause, life gets easier, “but only if we minimize our expectations, give up resentment, and relax in the knowledge that no one, except those closest to us, gives a damn about who we are or what we do.” Buoyed by the “spiritual practice circle” she dubs the “Sisters of Perpetual Disorder” and involved in a foundation dedicated to empowering vulnerable women and girls, Allende is ultimately joyful: “My theory and practice is to say yes to life and then I’ll see how I manage along the way.”
A pithy, upbeat memoir by a self-described romantic feminist.Pub Date: March 2, 2021
ISBN: 978-0-593-35562-6
Page Count: 160
Publisher: Ballantine
Review Posted Online: Dec. 9, 2020
Kirkus Reviews Issue: Jan. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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