A scholarly but engrossing meditation that challenges what we see in portraits—and in our mirrors.
A set of essays reconsidering how we think about faces through the lens of films, books, emoji, and more.
Serpell is one of our brightest new fiction writers and essayists. Her 2019 novel, The Old Drift, which won both the Windham-Campbell Prize and Anisfield-Wolf Book Award, addresses colonialism with rare intelligence and sweep while her work for the New York Review of Books makes her a compelling voice on race and Africa in culture. This short book, based on her research, isn’t the easiest place to get to know her, but it’s rich with thoughtful considerations of the human face and how we look at it. In the case of Joseph Merrick, aka the Elephant Man, Serpell is intrigued at how his deformities inspire a host of metaphors, not all involving ugliness and horror. In Hannah Crafts, the cryptic author of the slave narrative The Bondwoman’s Narrative, Serpell finds a trove of subversions of expectations of black and white “faces,” from the narrator’s light skin and author’s plagiarism onward. In a concluding chapter, the author reconsiders the emoji’s role in culture and how the lack of common interpretations opens up the images to playful and nuanced interpretations. That plus two more essays on Alfred Hitchcock’s Psycho and Werner Herzog’s Grizzly Man doesn’t add up to a cohesive thesis on faces. Serpell writes that she wishes to “shatter” conventional interpretations of the face, but she isn’t moved to assemble a new one from the pieces. Her discussion of fetishes drifts into academic jargon, and she is, by her own admission, overly obsessed with the role of a mop in Hitchcock’s classic. But in recasting the Elephant Man’s face as a thing of beauty (or at least one with its own aesthetics) and studying digital avatars for multitudes of expression (including blackface), she’s broken ground for further commentary.
A scholarly but engrossing meditation that challenges what we see in portraits—and in our mirrors.Pub Date: Sept. 29, 2020
ISBN: 978-1-945492-43-3
Page Count: 140
Publisher: Transit Books
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
A mixed-bag cultural assessment of the internet landscape.
The editor of the New York Times Book Review offers dismayed lamentations on all that is being lost to the internet.
In her latest, Paul analyzes the implications of the internet age, deploying “my grumpy-old-man thoughts and wary skepticism, lashed through with a contrary streak of optimism, accumulated over years of observing the culture and covering its manifestations and effects.” She acknowledges the putative treasures and tools of the internet, but she reminds readers that for every gain, there is a loss—e.g., privacy, civility, or myriad products, services, and practices we may have thought to be timeless. To many, writes the author, we can say good riddance or a fond farewell, though she aches for the loss of others. From handwritten letters to quiet, unoccupied moments, cursive writing to vacations without work (or email), school librarians to newspapers, LPs to mixtapes to the notion of “closure”—so much we thought eternal is quaintly antiquarian or gone forever. As Paul engagingly shows, their replacements aren’t always an advance. Yet one thing Paul neglects to address, save by implication, is the power of “no.” We are not forced in every case to accede to fashion, to all of modern technology’s demands, or to the dictates of contemporary sensibilities. Paul is incisive when she gets serious, as in her regrets on the decline of reading (especially of books), diminishing opportunities for solitude, and our eroding capacity for empathy. But some of her death knells are premature, a stretch, too sweeping, or off-base, while others come off as overly tongue-in-cheek. It’s understandable that Paul writes as if Gen X reality (and that of their children) is a dominant force. Still, there are plenty of people pushing back against the tide in meaningful ways. The author should know there are also 100 ways to resist digital dominance as well.
A mixed-bag cultural assessment of the internet landscape.Pub Date: Oct. 26, 2021
ISBN: 978-0-593-13677-5
Page Count: 288
Publisher: Crown
Review Posted Online: Aug. 24, 2021
Kirkus Reviews Issue: Sept. 15, 2021
An eye-opening look at prison life from the point of view of a true warrior for justice.
A memoir on the making of a literal “jailhouse lawyer.”
Wrongfully arrested and convicted of murder in New Orleans, which at the time had “the highest rate of wrongful convictions in the nation, with nearly all the victims being Black men who…grew up poor,” Duncan served for 23 years in Louisiana’s notorious Angola prison and other institutions. He might have done his time at the Orleans Parish Prison, but, he writes, he wanted access to Angola’s more extensive law library. Well before being transferred there, he petitioned the Louisiana Supreme Court for a law book, a motion denied because it had not first been adjudicated in a lower court. A sympathetic judge gave him a copy all the same, and Duncan was off to a career as an inmate advocate, regularly filing petitions and lawsuits on his own behalf and that of his fellow prisoners—the first suit being “over the jail’s failure to provide him with a high-fiber diet,” soon followed by motions to provide mental health treatment, end beatings and arbitrary punishments, and improve medical care. Known as the “Snickers Lawyer” for taking payment in candy, he became a self-taught expert on constitutional issues. Naturally, he recounts, he was targeted by guards and wardens for his legal activism, even as he proved essential to Angola’s population; in time, too, he found a few unlikely allies among the staff. Duncan’s well-told story is full of fraught moments of abuse both physical and judicial, though it has something of a happy ending in that, after earning a law degree after his release, he was exonerated of the crime and has since been fighting for other prisoners to “have meaningful access to the courts.”
An eye-opening look at prison life from the point of view of a true warrior for justice.Pub Date: July 8, 2025
ISBN: 9780593834305
Page Count: 400
Publisher: Penguin Press
Review Posted Online: April 17, 2025
Kirkus Reviews Issue: May 15, 2025
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