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GOOD NIGHT (NOT REALLY)

LET’S COUNT FORWARD AND BACKWARD

A humorous and spirited counting tale for young readers.

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In this counting picture book, a bedtime story features plenty of action.

Counting from one to 10, Lisa, a red-haired White girl, and Charlie, a Black boy, describe a story filled with madcap events. For instance, they say the tale is “so noisy, it’s like 3 billy goats are having a meeting.” They also explain that it’s “so Buzzy, it’s like 4 little fairies are fluttering around in the bathroom all trying to brush their tiny teeth at once,” and it’s “so mixed-up, it’s like 8 BIG mice are playing tag with 9 mini cats in the front yard.” When it’s time for bed, Charlie and Lisa count backward from 10 to one, recalling each happening. They admit that it’s “SO hard to sleep with all of this hubbub going on” because “this is NOT REALLY a good night book” but a “GOOD MORNING book.” The story concludes: “Wake up, kids! Welcome to this special day!” Evenson’s zany tale packed with creative scenes will aptly introduce youngsters to basic counting skills. The imaginative incidents have kid appeal, such as the “candy explosion in the playroom.” Matkevych’s colorful, lively illustrations offer animated renderings with charming details, including where critters cozily slumber. Readers will enjoy anthropomorphic characters like the smiling broccoli florets and gardening tools. The last spread integrates the players and elements from each episode, such as the two “big and bad” elephants playing on the seven “wacky swings.”

A humorous and spirited counting tale for young readers.

Pub Date: Sept. 30, 2021

ISBN: 978-1-83934-335-3

Page Count: 42

Publisher: Bumblebee Books

Review Posted Online: Feb. 21, 2022

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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