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EAT, DRINK, AND BE FROM MISSISSIPPI

An engaging but overlong and not wholly convincing lesson in opening up to commitment.

The lives of two Southern siblings, comfortably relocated to California but partnerless and childless, are transformed by an unlikely friendship.

In a readable, discursive, not especially eventful story, Kincaid (As Hot As It Was You Ought to Thank Me, 2005, etc.) explores ideas of family and connection via Truely and Courtney Noonan, born and raised in the Deep South, who grow up to move beyond their parents’ expectations and codes. Rebellious Courtney’s decisions to quit college, move to California, then move in with a wealthy, older property developer are difficult for her traditional-minded parents to accept. Truely’s choice to follow his sister west deepens the wounds. Truely becomes a high-tech entrepreneur and marries Jesse, but the relationship fails as, eventually, does Courtney’s. Truely’s next long involvement, with Shauna, also falls apart, but not before he is sucked into her family’s problems when her brother Gordo is badly wounded in Iraq. Gordo’s troubled young black friend Arnold becomes an initially unwelcome lodger in Truely’s loft and Courtney takes him under her wing, tutoring him for the GED. Truely’s role as a surrogate father only deepens when Gordo, recuperating in a VA hospital, tries to commit suicide, an act which implicates Arnold and results in his arrest. Now Truely realizes how much Arnold is a part of his life and “family”; a combination of his money and Gordo’s doing the right thing eventually liberates Arnold to go “home” with Truely.

An engaging but overlong and not wholly convincing lesson in opening up to commitment.

Pub Date: Jan. 6, 2009

ISBN: 978-0-316-00915-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2008

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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