Illuminated by Bilyeau’s vivid prose, minor players of Tudor England emerge from the shadows.



The adventures of Tudor-era ex-nun Joanna Stafford continue as she battles a lethal conspiracy.

When we last left Joanna (The Chalice, 2013, etc.), a fictional daughter of the disgraced Stafford clan, she had retreated to Dartford, site of her former home, the Dominican priory dismantled by King Henry VIII’s minister Cromwell, along with the rest of England’s monasteries. There, she hopes to live in quiet retirement—no more schemes like the plot to kill King Henry in which she was once unwittingly embroiled. Her only concern is that she was prevented from marrying her beloved Edmund, an ex-friar, at the last minute when Geoffrey, the Dartford constable (another admirer) brought up an inconvenient royal edict that those who once took holy vows had to remain celibate. As she pursues her new vocation, tapestry weaving, Joanna is dismayed to receive a royal summons—King Henry needs her textile expertise at the palace of Whitehall. Immediately upon arrival, Joanna narrowly escapes kidnapping by a gruff man disguised as a page. From then on, no end of Tudor machinations and plots enmeshes her once again. Powerful relatives are pressuring teenage Catherine Howard to become the king’s mistress. Joanna witnesses Cromwell weeping just before he is to be elevated to an earldom. Her friend Thomas Culpepper seems to be involved with two other courtiers in a sinister “covenant” to bring down Cromwell using witchcraft. Joanna’s few allies at court include the portraitist Hans Holbein. When Joanna’s life is once again threatened, Geoffrey returns and removes her to Europe, where, while supposedly acquiring tapestries for the king’s collection, she will endeavor to solve several mysteries: Edmund’s disappearance, the nature of the necromancy behind the Cromwell covenant, and whether or not she will finally decide between Geoffrey and Edmund. Despite much explanatory back story, this book does not really stand alone. It should be read in sequence with its two predecessors—not all that unappealing a chore

Illuminated by Bilyeau’s vivid prose, minor players of Tudor England emerge from the shadows.

Pub Date: March 24, 2015

ISBN: 978-1-4767-5637-0

Page Count: 400

Publisher: Touchstone/Simon & Schuster

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 21, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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