Fun on many levels, this has a sure spot in classrooms and storytimes as fable, grammar lesson and wordplay all rolled into...
Coffelt masterfully weaves a lesson in words around a familiar "Little Red Hen" moral, making this one entertaining teaching tool.
Monkey needs help transporting his bananas home so he can make banana cream pie. But Ant is a new aunt anxious to see her niece, Bee has too much to do, with a honey shipment due, and Bear must wash the fir sap off his fur. Gnu, Ewe, Horse and Deer also find more pressing matters, and each leaves through the leaves without helping. Just when Monkey is about to do it all himself, Ant comes back to pitch in. They make the pies and share the tasty results. Predictably, the other animals want some pie, too, but Monkey only provides after they all help in the cleaning up. The five homonym pairs and 29 homophone combinations are bolded within the text, making them easy to spot. Coffelt keeps her textured oil pastel illustrations simple, so as not to detract from the wordplay, but what they may lack in detail they more than make up in rich, vibrant color and visual humor. Aunt Ant directs her little army from underneath a purple foreman's cap. Backmatter defines homophones and homonyms and addresses the regional pronunciations that can affect whether or not two words sound the same.
Fun on many levels, this has a sure spot in classrooms and storytimes as fable, grammar lesson and wordplay all rolled into one. (Picture book. 4-8)Pub Date: March 1, 2012
ISBN: 978-0-8234-2353-8
Page Count: 32
Publisher: Holiday House
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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BOOK REVIEW
BOOK REVIEW
It doesn’t take a fortune teller to predict the laughter that will emanate from this world of tomorrow.
The future is now…and it’s exceedingly silly.
“This book is from the future.” What are things like there? Barnett enlightens readers: “The sun is called the moon and the moon is called the sun.” Readers learn that apples no longer exist (Barnett doesn’t explain why), that lots of people are named “Charlie Cheese Face” (“There’s an interesting reason why, but we don’t have time for that story”), and that instead of “goodbye,” people now say, “You smell like a baby!” The work closes with a ridiculous conversation between two characters who somehow manage to work in most of the new terms. This tale’s raison d’être seems to be coming up with the goofiest alternatives to normal day-to-day terms and interactions. Barnett gets seriously silly as he thinks up gags ideal for reading aloud at storytime. As for Harris’ art, aside from the occasional cool pair of sunglasses or hair dye, the future feels pretty early-21st-century; his colorful ink and gouache illustrations are rife with visual gags. Futuristic terms look as if they were printed on a label maker. Human characters vary in skin tone.
It doesn’t take a fortune teller to predict the laughter that will emanate from this world of tomorrow. (Picture book. 4-8)Pub Date: March 3, 2026
ISBN: 9798217033171
Page Count: 40
Publisher: Knopf
Review Posted Online: Nov. 8, 2025
Kirkus Reviews Issue: Dec. 15, 2025
BOOK REVIEW
BOOK REVIEW
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