Fun on many levels, this has a sure spot in classrooms and storytimes as fable, grammar lesson and wordplay all rolled into...
Coffelt masterfully weaves a lesson in words around a familiar "Little Red Hen" moral, making this one entertaining teaching tool.
Monkey needs help transporting his bananas home so he can make banana cream pie. But Ant is a new aunt anxious to see her niece, Bee has too much to do, with a honey shipment due, and Bear must wash the fir sap off his fur. Gnu, Ewe, Horse and Deer also find more pressing matters, and each leaves through the leaves without helping. Just when Monkey is about to do it all himself, Ant comes back to pitch in. They make the pies and share the tasty results. Predictably, the other animals want some pie, too, but Monkey only provides after they all help in the cleaning up. The five homonym pairs and 29 homophone combinations are bolded within the text, making them easy to spot. Coffelt keeps her textured oil pastel illustrations simple, so as not to detract from the wordplay, but what they may lack in detail they more than make up in rich, vibrant color and visual humor. Aunt Ant directs her little army from underneath a purple foreman's cap. Backmatter defines homophones and homonyms and addresses the regional pronunciations that can affect whether or not two words sound the same.
Fun on many levels, this has a sure spot in classrooms and storytimes as fable, grammar lesson and wordplay all rolled into one. (Picture book. 4-8)Pub Date: March 1, 2012
ISBN: 978-0-8234-2353-8
Page Count: 32
Publisher: Holiday House
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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