A pleasingly high-energy invitation to see, understand and appreciate art… and to make some too.
Three frisky mice, sensibilities honed by an exposure to painting in Look! Look! Look! (2006), give 3-D art a similarly close onceover.
The story is centered on an abstract work in slate by Barbara Hepworth in the Yale Center for British Art (where Friedlaender is a curator), but it features sharp color photos of 20 other sculptures from as many eras and cultures. Wallace’s clean, spacious paper collages offer a representative museum exhibit that showcases the broad variety of materials and styles sculpture encompasses. Her three small but well-equipped visitors take formalized “museum walks” around the Hepworth and utter cogent observations: “I see spaces between the shapes!” “I see spaces in the shapes!” “I see four smooth, shiny, crescent-moon shapes!” They whip out sketch pads and tiles of modeling clay for some playful experimentation with forms, placement and texture before the book closes with a recap gallery and instructions for creating “paper SHAPE sculptures” with cut-out circles and triangles.
A pleasingly high-energy invitation to see, understand and appreciate art… and to make some too. (credits, thumbnail bio of Hepworth) (Informational picture book. 6-9)Pub Date: March 1, 2012
ISBN: 978-0-7614-6132-6
Page Count: 40
Publisher: Marshall Cavendish
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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